#davidhartt

[aic-design]

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): 1111 Lincoln Road (Miami, USA), Herzog & de Meuron, David Hartt, 2018, Art Institute of Chicago: Architecture and Design

David Hartt’s Seven Portraits is a portfolio of photographs of seven contemporary buildings across the Americas, ranging from the Seattle Library by Rem Koolhaas to Restaurante Mestizo in Santiago, Chile, by Smiljan Radic. The portfolio was commissioned by the Illinois Institute of Technology’s College of Architecture in partnership with PIN-UP magazine to celebrate the inaugural Mies Crown Hall Americas Prize and was first published as a supplement in the magazine. For a later unique commission by the Art Institute, Hartt produced these 12 large panels featuring both published and unpublished photos from the project. Unlike architectural photographers, who typically attempt to convey the designer’s vision, Hartt used this work to free buildings from the preconceptions of their architects. He emphasized the ordinary and the unexpected, like a plant growing in the crack of a deck or a building’s facade in the background of a quinceañera photoshoot. The series shows Hartt’s interest in the specificity of place and the cultural and social meanings of built environments. Instead of presenting an architect’s idealized intentions for a space, these photographs examine the personal, idiosyncratic encounters between a building and its context and inhabitants. Seven Portraits prompts reflection on the unpredictable ways humans use and experience design, giving buildings purpose far beyond what architects can predict. Chauncey and Marion Deering McCormick Foundation and Eloise W. Martin Legacy Fund Size: 229 × 152 cm (90 × 60 in.) Medium: Archival pigment print mounted to Dibond

https://www.artic.edu/artworks/243188/

[aic-design]

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Fundação Iberê Camargo (Porto Alegre, Brazil), Álvaro Siza, David Hartt, 2018, Art Institute of Chicago: Architecture and Design

David Hartt’s Seven Portraits is a portfolio of photographs of seven contemporary buildings across the Americas, ranging from the Seattle Library by Rem Koolhaas to Restaurante Mestizo in Santiago, Chile, by Smiljan Radic. The portfolio was commissioned by the Illinois Institute of Technology’s College of Architecture in partnership with PIN-UP magazine to celebrate the inaugural Mies Crown Hall Americas Prize and was first published as a supplement in the magazine. For a later unique commission by the Art Institute, Hartt produced these 12 large panels featuring both published and unpublished photos from the project. Unlike architectural photographers, who typically attempt to convey the designer’s vision, Hartt used this work to free buildings from the preconceptions of their architects. He emphasized the ordinary and the unexpected, like a plant growing in the crack of a deck or a building’s facade in the background of a quinceañera photoshoot. The series shows Hartt’s interest in the specificity of place and the cultural and social meanings of built environments. Instead of presenting an architect’s idealized intentions for a space, these photographs examine the personal, idiosyncratic encounters between a building and its context and inhabitants. Seven Portraits prompts reflection on the unpredictable ways humans use and experience design, giving buildings purpose far beyond what architects can predict. Chauncey and Marion Deering McCormick Foundation and Eloise W. Martin Legacy Fund Size: 229 × 152 cm (90 × 60 in.) Medium: Archival pigment print mounted to Dibond

https://www.artic.edu/artworks/243190/

[aic-design]

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Bloch Building, Nelson-Atkins Museum (Kansas City, USA), Steven Holl Architects and BNIM, David Hartt, 2018, Art Institute of Chicago: Architecture and Design

David Hartt’s Seven Portraits is a portfolio of photographs of seven contemporary buildings across the Americas, ranging from the Seattle Library by Rem Koolhaas to Restaurante Mestizo in Santiago, Chile, by Smiljan Radic. The portfolio was commissioned by the Illinois Institute of Technology’s College of Architecture in partnership with PIN-UP magazine to celebrate the inaugural Mies Crown Hall Americas Prize and was first published as a supplement in the magazine. For a later unique commission by the Art Institute, Hartt produced these 12 large panels featuring both published and unpublished photos from the project. Unlike architectural photographers, who typically attempt to convey the designer’s vision, Hartt used this work to free buildings from the preconceptions of their architects. He emphasized the ordinary and the unexpected, like a plant growing in the crack of a deck or a building’s facade in the background of a quinceañera photoshoot. The series shows Hartt’s interest in the specificity of place and the cultural and social meanings of built environments. Instead of presenting an architect’s idealized intentions for a space, these photographs examine the personal, idiosyncratic encounters between a building and its context and inhabitants. Seven Portraits prompts reflection on the unpredictable ways humans use and experience design, giving buildings purpose far beyond what architects can predict. Chauncey and Marion Deering McCormick Foundation and Eloise W. Martin Legacy Fund Size: 229 × 152 cm (90 × 60 in.) Medium: Archival pigment print mounted to Dibond

https://www.artic.edu/artworks/243185/

[aic-design]

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Mestizo Restaurant (Santiago, Chile), Smiljan Radic, David Hartt, 2018, Art Institute of Chicago: Architecture and Design

David Hartt’s Seven Portraits is a portfolio of photographs of seven contemporary buildings across the Americas, ranging from the Seattle Library by Rem Koolhaas to Restaurante Mestizo in Santiago, Chile, by Smiljan Radic. The portfolio was commissioned by the Illinois Institute of Technology’s College of Architecture in partnership with PIN-UP magazine to celebrate the inaugural Mies Crown Hall Americas Prize and was first published as a supplement in the magazine. For a later unique commission by the Art Institute, Hartt produced these 12 large panels featuring both published and unpublished photos from the project. Unlike architectural photographers, who typically attempt to convey the designer’s vision, Hartt used this work to free buildings from the preconceptions of their architects. He emphasized the ordinary and the unexpected, like a plant growing in the crack of a deck or a building’s facade in the background of a quinceañera photoshoot. The series shows Hartt’s interest in the specificity of place and the cultural and social meanings of built environments. Instead of presenting an architect’s idealized intentions for a space, these photographs examine the personal, idiosyncratic encounters between a building and its context and inhabitants. Seven Portraits prompts reflection on the unpredictable ways humans use and experience design, giving buildings purpose far beyond what architects can predict. Chauncey and Marion Deering McCormick Foundation and Eloise W. Martin Legacy Fund Size: 229 × 152 cm (90 × 60 in.) Medium: Archival pigment print mounted to Dibond

https://www.artic.edu/artworks/243193/

[aic-design]

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): 1111 Lincoln Road (Miami, USA), Herzog & de Meuron, David Hartt, 2018, Art Institute of Chicago: Architecture and Design

David Hartt’s Seven Portraits is a portfolio of photographs of seven contemporary buildings across the Americas, ranging from the Seattle Library by Rem Koolhaas to Restaurante Mestizo in Santiago, Chile, by Smiljan Radic. The portfolio was commissioned by the Illinois Institute of Technology’s College of Architecture in partnership with PIN-UP magazine to celebrate the inaugural Mies Crown Hall Americas Prize and was first published as a supplement in the magazine. For a later unique commission by the Art Institute, Hartt produced these 12 large panels featuring both published and unpublished photos from the project. Unlike architectural photographers, who typically attempt to convey the designer’s vision, Hartt used this work to free buildings from the preconceptions of their architects. He emphasized the ordinary and the unexpected, like a plant growing in the crack of a deck or a building’s facade in the background of a quinceañera photoshoot. The series shows Hartt’s interest in the specificity of place and the cultural and social meanings of built environments. Instead of presenting an architect’s idealized intentions for a space, these photographs examine the personal, idiosyncratic encounters between a building and its context and inhabitants. Seven Portraits prompts reflection on the unpredictable ways humans use and experience design, giving buildings purpose far beyond what architects can predict. Chauncey and Marion Deering McCormick Foundation and Eloise W. Martin Legacy Fund Size: 229 × 152 cm (90 × 60 in.) Medium: Archival pigment print mounted to Dibond

https://www.artic.edu/artworks/243188/

[aic-design]

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN, David Hartt, 2018, Art Institute of Chicago: Architecture and Design

David Hartt’s Seven Portraits is a portfolio of photographs of seven contemporary buildings across the Americas, ranging from the Seattle Library by Rem Koolhaas to Restaurante Mestizo in Santiago, Chile, by Smiljan Radic. The portfolio was commissioned by the Illinois Institute of Technology’s College of Architecture in partnership with PIN-UP magazine to celebrate the inaugural Mies Crown Hall Americas Prize and was first published as a supplement in the magazine. For a later unique commission by the Art Institute, Hartt produced these 12 large panels featuring both published and unpublished photos from the project. Unlike architectural photographers, who typically attempt to convey the designer’s vision, Hartt used this work to free buildings from the preconceptions of their architects. He emphasized the ordinary and the unexpected, like a plant growing in the crack of a deck or a building’s facade in the background of a quinceañera photoshoot. The series shows Hartt’s interest in the specificity of place and the cultural and social meanings of built environments. Instead of presenting an architect’s idealized intentions for a space, these photographs examine the personal, idiosyncratic encounters between a building and its context and inhabitants. Seven Portraits prompts reflection on the unpredictable ways humans use and experience design, giving buildings purpose far beyond what architects can predict. Chauncey and Marion Deering McCormick Foundation and Eloise W. Martin Legacy Fund Size: 229 × 152 cm (90 × 60 in.) Medium: Archival pigment print mounted to Dibond

https://www.artic.edu/artworks/243195/

[aic-design]

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Bloch Building, Nelson-Atkins Museum (Kansas City, USA), Steven Holl Architects and BNIM, David Hartt, 2018, Art Institute of Chicago: Architecture and Design

David Hartt’s Seven Portraits is a portfolio of photographs of seven contemporary buildings across the Americas, ranging from the Seattle Library by Rem Koolhaas to Restaurante Mestizo in Santiago, Chile, by Smiljan Radic. The portfolio was commissioned by the Illinois Institute of Technology’s College of Architecture in partnership with PIN-UP magazine to celebrate the inaugural Mies Crown Hall Americas Prize and was first published as a supplement in the magazine. For a later unique commission by the Art Institute, Hartt produced these 12 large panels featuring both published and unpublished photos from the project. Unlike architectural photographers, who typically attempt to convey the designer’s vision, Hartt used this work to free buildings from the preconceptions of their architects. He emphasized the ordinary and the unexpected, like a plant growing in the crack of a deck or a building’s facade in the background of a quinceañera photoshoot. The series shows Hartt’s interest in the specificity of place and the cultural and social meanings of built environments. Instead of presenting an architect’s idealized intentions for a space, these photographs examine the personal, idiosyncratic encounters between a building and its context and inhabitants. Seven Portraits prompts reflection on the unpredictable ways humans use and experience design, giving buildings purpose far beyond what architects can predict. Chauncey and Marion Deering McCormick Foundation and Eloise W. Martin Legacy Fund Size: 229 × 152 cm (90 × 60 in.) Medium: Archival pigment print mounted to Dibond

https://www.artic.edu/artworks/243186/

[aic-design]

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Capilla del Retiro (Auco, Chile), Undurraga Devés Arquitectos, David Hartt, 2018, Art Institute of Chicago: Architecture and Design

David Hartt’s Seven Portraits is a portfolio of photographs of seven contemporary buildings across the Americas, ranging from the Seattle Library by Rem Koolhaas to Restaurante Mestizo in Santiago, Chile, by Smiljan Radic. The portfolio was commissioned by the Illinois Institute of Technology’s College of Architecture in partnership with PIN-UP magazine to celebrate the inaugural Mies Crown Hall Americas Prize and was first published as a supplement in the magazine. For a later unique commission by the Art Institute, Hartt produced these 12 large panels featuring both published and unpublished photos from the project. Unlike architectural photographers, who typically attempt to convey the designer’s vision, Hartt used this work to free buildings from the preconceptions of their architects. He emphasized the ordinary and the unexpected, like a plant growing in the crack of a deck or a building’s facade in the background of a quinceañera photoshoot. The series shows Hartt’s interest in the specificity of place and the cultural and social meanings of built environments. Instead of presenting an architect’s idealized intentions for a space, these photographs examine the personal, idiosyncratic encounters between a building and its context and inhabitants. Seven Portraits prompts reflection on the unpredictable ways humans use and experience design, giving buildings purpose far beyond what architects can predict. Chauncey and Marion Deering McCormick Foundation and Eloise W. Martin Legacy Fund Size: 229 × 152 cm (90 × 60 in.) Medium: Archival pigment print mounted to Dibond

https://www.artic.edu/artworks/243187/