The first decision in my creative process is deciding on where, which physical location, I'm gonna start my work on a project.
When I make the choice to start anywhere but my workstation, I'm cueing my brain that we're not gonna just dive right in. I'm actively putting that off in order to use different parts of my brain to engage the script. To process. To imagine. To think. To iterate.
Among other things, those activities allow me to consider the meaning, subtext, challenges, and straight up opportunities baked into the written word. All of which informs my eventual process.
You see, while both hemispheres of the human brain can process everything coming in, it's actually networks in the brain that do the heavy lifting.
There's a network that kicks in when we indulge memories, when we daydream, when we visualize the future.
There's a network that kicks in when we simply focus our attention.
There's a network that activates for executive function, goal-oriented, cognitively demanding tasks, rule-based problem solving, maintaining and manipulating information in working memory, and making decisions in the context of goal-directed behavior.
Here's the thing, though: the networks don't work simultaneously. When one is activated the others are de-activated.
So the daydreaming network deactivates as soon as we focus our attention, as soon as we start problem solving.
Our ability for diffuse, non-directed thinking, is turned off as soon as we focus our thinking. And for me... the gold is found where my mind wanders.
Now, the way I know I'm in this mode of thinking is that it's incredibly bouncy and magnetic at the same time. Divergent and convergent. It really does wander. Ideas beget ideas beget further ideas. They branch. They connect. They multiply.
It's a very open circuit state of mind. And there's no mistaking it.
On the other hand, when I'm focused or problem solving, it's a contained experience. It's linear. Step by step. Beginning to end.
So when I say the physical space in which I choose to begin my creative work has a huge influence on my work... but that choice only facilitates, it doesn't guarantee the outcome...
What I mean is that how I choose to engage the script is equally important because it's fully possible for me to engage the script as if I were at my workstation, editing in Premiere. Thinking about what kind of shot would I put here? What kind of music would be most effective there?
I can very much do a paper edit of a show in my head.
It's another way to edit among many ways.
But the best way for me is to intellectually and emotionally meet the script on its own terms. To divine meaning. To interpret intention. To perceive all the layers baked into the words, intentionally and unintentionally. To learn where the moments are, the ones I've gotta nail.
To internalize all of that. Because when I do...
Something in my brain starts working on the project.
I'll tell you the story of when I first became aware of the black box in my head...