Guanyin stories and narratives depict the type of agency that she is seen to exercise: a feminine, maternal, intimate agency, one that “hears” all cries of suffering and responds with compassion to all sentient beings. She can take multiple forms to come to the rescue. On the one hand, Guanyin is a singular figure, who manifests herself through the mediation of countless statues, sites, texts, experiences, and miracle tales. On the other hand, each of her statues has its distinctive personality, powers, and trajectory. How can this seeming contradiction be explained by the outside observer? We propose the concept of the “dividuating object,” drawing on Marriott's (1976) and Strathern's (1988) conceptions of personhood.
Western notions of the person or “individual” depict an internally coherent, undivided self that is defined in contrast to other selves and objects outside of it. In contrast, the “dividual” is a composite of qualities, components, and relationships, characterized by the emergence of differentiated attributes in the context of the unfolding of specific interactions. A relationship between two persons is thus a process of mutual “dividuation” (Bird-David 1999) through which each partner expresses and develops a differentiated self that is emergent and unique to the roles and trajectory of the interactions in a mutually constituting process. Mosko (2010, 218) has stressed how such a person “is a product of the gifts, contributions, or detachments of others” and needs, in an exchange, to give part of him- or herself to draw forth a desired part of another person. In relations between humans and deities, for example, the deity absorbs hopes, problems, offerings, and sacrifices from the worshipper, who in turn may absorb divine protections, blessings, and numinous qualities.
Here, we posit that the concept of dividuation can fruitfully be applied to human–idol intra-actions. In a relationship between Guanyin and a worshipper through the mediation of a specific statue, the series of acts and experiences, unique to the worshipper but mediated by the constraints of the material form, location, and ritual prescriptions for approaching the statue, inflects the unfolding of the worshipper's life in a dividuating process (McDaniel 2011, 250).
David A. Palmer, Martin M. H. Tse, Chip Colwell, Guanyin's Limbo: Icons as Demi-Persons and Dividuating Objects