Naked Jilipollo
PensĂ© mucho en postear esta nota, que ya tiene algo de tiempo que la escribĂ pero en su momento habĂa decidido dejarla en el olvido, por la paz.Â
Desde que comenzaba a adentrarme en este mundo de la ilustraciĂłn y en cierta medida del arte, escuchaba comentarios por todos lados acerca de los egos enormes que pupulan entre todos y cada uno de los ĂĄmbitos artĂsticos. Y ciertamente me he encontrado con varios casos asĂ, pero vaya, nunca me he llegado a enojar, ni frustrar, ni odiar... por escuchar comentarios egĂłlatras. Incluso siempre busco lo atractivo e interesante de cada argumento y lo utilizo, cuando es posible, a mi favor. De mi probablemente han hablado y, como dice el dicho, âque hablen bien o mal, pero que hablenâ (ÂĄhablen de mi por favor, necesito atenciĂłn!). Y siempre habĂa creĂdo que la gente mĂĄs grande y profesional, la que comenzĂł desde cero, autĂ©ntica y en verdad trabajadora es la que menos se molesta ni le importan hacer comentarios de ese tipo. Pero veo que siempre puede haber alguna excepciĂłn, puesto que supongo no todos tenemos esa misma esencia.Â
QuizĂĄ les parezca a algunos este post repetitivo, necio, âardidoâ o que busco llamar de alguna manera la atenciĂłn. Tengo mis razones para haberme decidido a postearlo finalmente, y espero que el inglĂ©s no sea impedimento para comprender mis motivos... Disculpen si lo escribo en este idioma, pero tenĂa que ser asĂ por el objetivo y naturaleza del mismo post.
I never really do this kind of things; I consider one shouldnât make âenemiesâ unnecessarily, and I think I shouldnât give my opinion more than what is strictly necessarily. But I think in certain circumstances I take the risk to harm my soul if I donât express what I think and would damage my integrity. So Iâll say what I have to say carefully, I think hiding is a bad idea.
I got an email from a popular illustrator a while ago, where she basically claimed I was âstealing her styleâ. Her name is Yuko Shimizu, a Japanese illustrator based in NY. It certainly surprised me when I read it, and knowing about her popularity, well, it certainly made me feel insecure about myself and made me have my doubts about my work. So I was thinking about this situation over and over, remembrating all those things and situations that were forging and enhancing the way my work look like, what made me came up with my style and also my REAL influences. I also asked the opinion to a couple of Art Directors (who also knew her work) from NY and, honestly, they didnât agree with her. So, I kindly replied to her email in the most proper, respectful and nice way I could and gave my opinion to her, which, of course, differed to what she wrote (if youâd like to read that post, click HERE).
Iâve already posted a few of the original great masters who used that simple but precise and elegant stroking (like Shunbaisai Hokuei), where I took a bit from it to use in my own style.
Ya habĂa posteado algunos de los grandes maestros originales quienes utilizaban ese simple pero preciso y elegante trazo (como Shunbaisai Hokuei), de donde tomĂ© un poco de ello para usarlo en mi estilo.
Some occidental classical painters from different art movements such as Impressionism, Fauvism, Art Noveau, etc. took that king of stroking and colouring technique for their own painting styles âLa Modisteâ, from Alexandre Charpentier.
TambiĂ©n varios pintores occidentales clĂĄsicos de varias corrientes como el Impresionismo, Fauvismo, Art Noveau... retomaron este tipo de trazo y coloreado para sus pinturas. âLa Modisteâ, de Alexandre Charpentier.
I sent the email. I didnât know what to expect... if there was something to expect. I started to check my social network and, just after I sent the email, I found a post on her Facebook fan page where she was talking about this âcreepyâ guy (me) who copies her work in every detail he could, and even the videos he uploads are made exactly âin the sameâ way she does (yeah, in the same way most of illustrators do, with a mobile). Then, just after that, I realized she blocked me from all her social media. Yes, really. I found this reaction a bit strange for her... age. But most important, I really thought it was very inappropriate to talk about me with all of her followers like that.
I hoped she eventually would reply my email at least, which I think was the most reasonable and respectful thing to do instead of saying those crappy things about me in the internet. I waited, and waited for weeks, but the email never showed up. By that moment I didnât want just to know what she thought about my email. What concerned me the most was what she was posting about me, the fact to post it without telling her thoughts directly to me, and that she may continue doing it (I wouldnât be able to know because she blocked me). As I never received a response, I decided to write another email to her, this time regarding this issue, which I think I had all the right to ask for. Again, everything with all due respect and in the best proper way in my limited English knowledge (Spanish is my mother language). Then, I finally had a response from her. If it can be called a âresponseâ. It was an angry and bitter email where she told me she didnât reply because my email was âcounter-accusatory, dismissive, shunning, and condescendingâ... And just because there was one guy who didnât agree with her, which apparently was a âpunchâ to her ego. It looks like she took all the negative adjectives she could find in a dictionary and throw them to my face. Well, just in case you read this one day Yuko, I think most of them certainly describes your attitude instead.
I think there are quite a few artists out there that has a more similar style as hers (...or maybe the other way around?) . I wonder if she complains with them the same way she did it with me.. Pienso que hay varios artistas que tienen un estilo mås similar al de ella (¿o al revés?). Me pregunto si ella se queja de ellos de la misma manera que lo hace conmigo..
I also found it quite insulting and totally out of place from her to tell me I couldnât have written an email in the way I did, and, above that, my English shouldnât be that fluent, so probably somebody else have written it for me. Well, at least I was making an effort to make it understandable for her, right? Instead, when I invited her to read my past post in my blog, where I copy-pasted her entire email HERE about my first concerns, my real references and influences of my stroking style through facts, quoting great artists (which I am sure are also some of her influences), hoping she could understand and try to keep this in the best terms as possible, she just said she wouldnât waste her time reading it. Is that fair? Then, after this other email of hers, I decided to ignore it and let it go once and for all. It obviously seemed she was just fatuous, vacuous, angry and trying to defame me in a bad way. So I thought this will take us nowhere. That was a while ago. Nevertheless, this situation has been somehow at the back of my mind all this time...
The reason why Iâm posting this came after a friend of mine sent a screenshot of a post where she tells her followers somebody else made a similar illustration as one she previously made.Â
This could be true, and that happens all the time with illustrators, but her work is indeed very similar to one from an illustrator colleague, âel Morenoâ, who made it before hers. I know there are many works that look similar as somebody elseâs work, and most of us have used other works as reference, but itâs a complete different, dishonest and kinda hypocritical thing to be openly claiming âIâm using her styleâ after looking at her illustration compared with my colleagueâs one. So this encouraged me to openly write my thoughts through this way, my social media, just as she did when talked about me.
I hope this post could reach her and hopefully she finally could have some time to read it. Written in English with no âextra helpâ Yuko.
One last thing: in case youâre reading this, I donât know if you claim to everyone you feel has a similar style as yours, which I still donât understand why it bothers you so much instead of looking at it as a compliment, or if you only did this to me. Yuko, you shouldnât be angry or jealous about somebody elseâs work. I donât think itâs necessary to be like that. Your work is very good too, and surely I have many things in my style that are different from yours and viceversa, which makes us different and unique. And thatâs absolutely a great thing! Please stop telling people that âIâm stealing your styleâ. As I said, your work is great, but Iâm not even a big fan of your work. I think youâre underestimating my skills. And no, I wonât stop posting my work (and videos) on my social media, by the way.
I think the best way to finish my post is quoting the same phrase she wrote in her email: âIf I get a reply from you, itâs great. If I donât, then thatâs that. No sweat. But I hope you think about what I wroteâ. So, thatâs my answer.
Si, a veces también escribo con seriedad, cuando es necesario. Animemos el momento con esta rola de Corine y sigamos chambeando, que hay que pagar estos malditos vicios y excesos.
PS. CompĂĄrtelo por favor, eso me ayudarĂa mucho.
