#fimscoring

[americanpancake]

Playing with some tropical punk, broken pop flavors and while the 4th of July might feel a bit like a cliche theme I like the blatant metaphor for (emotional) independence. How are all you lovely people? #tropicalpunk #brokenpop #singersongwriter #fimscoring #musicblogger #podcast #artpunk #shave #4thofJuly #freedom #strength #ove #hate #indiepop #indiepunk #macdemarco #polished #minorchords (at Hall County, Georgia) https://www.instagram.com/p/Btmw0HdBmn4/?utm_source=ig_tumblr_share&igshid=tqknwumc2zwk

[americanpancake]

Sometimes Improvs render odd results but sometime odd is good (?) and sometimes the piece you write is ripe for cherry picking later. I do like some of the jazz or tropical punk tones here and the kind of art rock descending steps. There are a lot of changes coming up in my life this year and I long to take my inherent anxiety over it into my art and work with others too. I want to start a Facebook group focused around a collection of creative people including film makers. I have always dreamed of having some of my music as part of film projects in either support music or film scoring. I also very much desire to have a young film maker to produce some videos for the songs on Dying Star and Age of Dinosaurs. Just have a lot on my mind. #singersongwriter #film #fimscoring #musicblogger #podccast #artpop #artrock #postpunk #indierock #altfolk #inspiration #pixies #radiohead #milesdavis #horns #strings #life #death #deathfromabove #losangeles #Atlanta #NYC #brooklyn #poetry (at Georgia) https://www.instagram.com/p/Bs1oLxuBAZM/?utm_source=ig_tumblr_share&igshid=3ewce9sxsdsp

[milicaparanosic]

film music and the composers’ role

too often we are asked to imitate. in the present time, with so many libraries, which are fequently not more then ‘rip-off’s of well known tunes, or just variations on ‘styles’ following the ‘recipe’ our role can sometimes be diluted. we need to bring our relationship with the film directors (or often, producers) to the level it needs to have: a truly collaborative one, which moves the art of film and storytelling (in which music has a crucial role) forward, rather then tap in place, repeating or replicating already proven, established (and cliché-ed) results.

IN film, as in all art forms (and that is, of course, if we want to treat it as an art form, rather then (only?) generating commercial success) we must not be afraid of a change and experimentation. composers have to not ‘obey’ to the directors, but be equal partners to them.