#francesco ubertini

[cheminer-poesie-cressant]

source photo : @cheminer-poesie-cressant

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Nos visages sont-ils ces masques que nous laissons tomber seulement au milieu du grand amour ?

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(Dans la portée des ombres, extrait)

© Pierre Cressant

(jeudi 20 octobre 2005)

[jeannepompadour]

Manner of Francesco Ubertini, called Il Bacchiacca (1494-1557)

[jareckiworld]

Francesco Ubertini (1494-1557)  -  Portrait of a Young Lady Holding a Cat      (oil on panel, 1525)

[beardbriarandrose]

Francesco Ubertini, called Bachiacca (1494-1557), The Flagellation, oil on panel

[cheminer-poesie-cressant]

(Francesco Ubertini dit le Bacchiacca, la résurrection du Christ, détail, vers 1510-1515, huile sur bois, musée des Beaux-Arts de Dijon, source : @cheminer-poesie-cressant)

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La souffrance m'approche de la vérité, chemin fragile au grand chaos.

Du dedans, un cri me retient, pas de trêve, poursuivre le rare intemporel.

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(Dans la portée des ombres, extrait)

© Pierre Cressant

(lundi 10 octobre 2005)

[eva-2k]

Baptism of Christ 1523-24 Oil on poplar panel, 58 x 41 cm

BACCHIACCA

(b. 1494, Firenze, d. 1557, Firenze)

Private collection

Florentine painter, original name Francesco Ubertini. He was probably a pupil of Perugino but with an eclectic style most heavily influenced by Andrea del Sarto. He painted religious subjects and decorative panels for walls and furniture, and designed tapestries.

This representation of Baptism is a fine example from Bacchiacca's early maturity. Though still influenced at this time by Perugino, his master, this painting demonstrates the increasing individuality of the young Florentine, particularly in its use of colour which lends the overall effect a freshness that to the contemporary spectator must have seemed overtly modern

Это изображение Крещения является прекрасным примером ранней зрелости Баккьякки. Хотя в то время картина все еще находилась под влиянием Перуджино, его учителя, она демонстрирует растущую индивидуальность молодого флорентийца, особенно в использовании цвета, который придает общему эффекту свежесть, которая для современного зрителя должна была показаться откровенно современной

[tanogabo]

[simonarinaldi]

Festival Pandora 2021 _ La Nuova Frontiera - Incontri

Festival Pandora 2021 _ La Nuova Frontiera – Incontri

Un patto per la conoscenza e i saperi Incontri Pandora Rivista Istruzione, Formazione e Sviluppo Patrizio Bianchi, Stefano Bonaccini, Sonia Bonfiglioli, Francesco Ubertini Stringere patti è indispensabile, oggi si gioca solo in squadraUbertini Dovere delle Università, Open & Engage Non avere paura del cambiamento. ComplementarietàBianchi Rivedere i nostri saperi, in modo fluido. L’impresa…

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