George Nakashima, “Conoid” bench, New Hope, Pennsylvania, 1968,
English walnut, American black walnut, hickory,
H: 31, L: 97 1/2, W: 36 in.
Courtesy: Freeman's

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George Nakashima, “Conoid” bench, New Hope, Pennsylvania, 1968,
English walnut, American black walnut, hickory,
H: 31, L: 97 1/2, W: 36 in.
Courtesy: Freeman's
Morning I am still new Still possible, I’m still possibly
— Solmaz Sharif, from “Beauty,” published in Freeman’s
My life can pass like this Waiting for beauty Tomorrow—I say
Solmaz Sharif, from “Beauty,” published in Freeman’s
Honor Moore: On Finishing the Book and Conjuring My Mother
“I will finish for good, I pledged, by the anniversary of her death.”
After I wrote her first draft death in late August, I drove weeping to a friend’s to swim, got pulled over by a policeman for crossing a yellow line: What’s wrong? he asked. I looked at his child-like face and thought, I’ll never explain the 45-year gap. “My mother just died,” I said. Compassion crossed his face. He gave me a warning.
I will finish for good, I pledged, by the anniversary of her death, October 3, but I did not. On October 4, I wept again. On October 5, I was close. On October 6, my friends gave up on me.
On October 7, my stovetop Italian coffee pot melted—I’d forgotten the water—then the glass beaker of the French press flew off the counter and shattered on the floor, and then, as I was finally finishing, a gunshot pop from the kitchen: I got there in time to watch a second egg explode from the boiled-out saucepan. And the wind rose up and blew smoke down the chimney, smoke so dense I couldn’t see the keyboard, a revolting stench remaining in my clothes until I wash them.
Honor Moore, writing for the “Freeman’s” channel at Literary Hub, on memorializing her late mother. Read it HERE.
Morgan Freeman's Top 10 Rules For Success
https://mindsuccess.net/success/morgan-freemans-top-10-rules-for-success/
– Got on the elevator in LA one day and the lady said, Oh, I just saw you in the Hudsucker Reduction I had a long haul, from where I came from to here, but here we are Your job as an actor is to give it your best shot, every time So, there was a period, there in the early 80's, when...
I have been trying to interrogate the notion of art-making as possession and conquest. This idea of creation as possession can lead to envy and bitterness—which is a total buzzkill to creativity.
Ocean Vuong, interviewed for Freeman’s, via Literary Hub