Jun 1
Federico Fellini photographié par Gideon Bachmann sur le tournage de "8 1/2", 1963.
seen from Germany
seen from Ireland
seen from United States
seen from United States
seen from United States
seen from Sweden
seen from Malaysia
seen from Saudi Arabia
seen from South Africa
seen from Malaysia
seen from United States
seen from France
seen from Germany
seen from China
seen from Malaysia
seen from Uzbekistan
seen from Netherlands
seen from Spain
seen from Belgium
seen from United Kingdom
Federico Fellini photographié par Gideon Bachmann sur le tournage de "8 1/2", 1963.
Fellini sul set di 8 1/2, 1963
foto Gideon Bachmann
The Photos...
... and behind the scenes:
🌟 Photographer Tazio Secchiaroli taking photos of Claudia Cardinale behind the scenes of "8 1/2" movie, 1962.
📸 Photos by Gideon Bachmann.
Artwork source of Godflesh 'Streetcleaner,' 'Pure' and 'Cold World' EP
From "Underground New York," Gideon Bachmann's 1968 documentary on the 60s New York underground film scene. The documentary was broadcast on Britain's Channel 4 in 1987 and it covers among others, George Kuchar. The Kuchar segment shows him filming in the Bronx followed by short clips from "Color Me Shameless" and "Hold Me While I'm Naked."
Info on "Color Me Shameless" — 1967 — 30min black & white film: http://www.kucharbrothers.org/color-me-shameless
"A tale of impotence. The hero is an artist who suffers from a creative block and who cannot bring himself to sexually perform. He has a variety of encounters with women and at times steals articles of clothing from them as sexual fetishes. His frustrations culminate at an art party where he observes others behaving freely, while he can only get drunk. After visiting someone and seeing a "sculpture" in their apartment, he becomes inspired and rushes home to paint. He writes letters to his women friends, telling them to come at once for he has painted a masterpiece. Upon receiving his letter, the women prepare to leave to visit him, but are distracted by their lovers. The man waits in vain; in frustration he destroys the canvas. The fetishes he had been collecting jump out from the drawer where he had been hiding them as if to haunt or taunt him, showing him what he is."
Pier Paolo Pasolini: Salò o le 120 giornate di Sodoma (1975)
Pier Paolo Pasolini together with his collaborators filming the final scene of dance. Photography by Gideon Bachmann [X]
Marcello e Federico sul set di 8 1/2
foto Gideon Bachmann
Gideon Bachmann, Pier Paolo Pasolini, 1973 ...
Gideon Bachmann, Pasolini sul set di ‘Salò’ …