#glitch typography

[putrid-pink]

[mxblm]

[theunseeliemperoress]

doing another blog search cause why not

there is next to 0 of this stuff on my dash so reblog/like if your tumblr is at least 30%

glitch aesthetics (especially glitch typography)

space

sea dwelling cryptids

chupacabras (hope i spelt that right)

women in history

Avenged Sevenfold, Evanescence, Within Temptation, We are the fallen, Nightwish, Twenty One Pilots, Imagine Dragon, McBusted, Lana Del Ray, Ed Sheran, Susan Boyle, Papa Roach, Breaking Benjamin, 3 Days Grace, Linkin Park, Melanie Martinez,Halsey, Caro Emerald

Steam punk

Goth/Steampunk/Grunge/Vintage/Punk/Cyberpunk/Pastel goth fashion

American Horror Story, Ru Pauls drag race, Horrible Histories, Mock the Week, Gogglebox, Red Dwarf

 Miss Peregrines Home for Peculiar Children, Black Heart Blue, Half a King or are just a booklr blog in general

Messenger of fear (or Michael grant

in general)

studio ghibli 

bleach/blue exorcist

also if you’re autistic/aro/ace/non binary

and think id like what’s on your blog you can like/reblog this to

[thebonescorrexion]

"j" Experiments #1

Some happy little accidents from LanGLiTCH*! This used to be the letter j, but I broke it using the phrase from Frantz Fanon's Black Skin, White Masks:

"Every colonized people–in other words, every people in whose soul an inferiority complex has been created by the death and burial of its local cultural originality–finds itself face to face with the language of the civilizing nation; that is, with the culture of the mother country.

The colonized is elevated above his jungle status in proportion to his adoption of the mother country's cultural standards.

He becomes whiter as he renounces his blackness, his jungle."

On the theory and process:

This project explores the languages of Colonised Others, especially languages such as Creole and Anglo-Indian. It references mismatched language patterns and the fractures that happen when displaced or colonised peoples begin assuming the language and culture of the Coloniser. I chose to make it based on my experiences as an Anglo-Indian woman in Australia, having watched the quintessential Anglo-Indian-isms fade with each ageing generation. I am very fascinated in language as a cultural artefact, and so chose to make a typeface as an artefact that responds to different breaks or pressures as a kind of visual metaphor for Creole languages and the fact that language is always in flux, always being subjected to appropriations.

On the outcomes:

Even though I have some degree of control over the outcomes – especially with regards to what is predictable based on file formats and colours etc – oftentimes weird stuff happens and I just can't explain it. These are great examples of things I just can't explain, especially because they are not entirely consistent with the other letter forms. Quite a few of them did this weird gradient cube thing, but many others showed other similar outcomes with seemingly little correlation to each other. Every image is exported with the same settings too, so it's all very curious and beautiful.

[thebonescorrexion]

"h" Experiments #2

Some happy little accidents from LanGLiTCH*! This used to be the letter h, but I broke it using the phrase from Frantz Fanon's Black Skin, White Masks:

"Every colonized people–in other words, every people in whose soul an inferiority complex has been created by the death and burial of its local cultural originality–finds itself face to face with the language of the civilizing nation; that is, with the culture of the mother country.

The colonized is elevated above his jungle status in proportion to his adoption of the mother country's cultural standards.

He becomes whiter as he renounces his blackness, his jungle."

On the theory and process:

This project explores the languages of Colonised Others, especially languages such as Creole and Anglo-Indian. It references mismatched language patterns and the fractures that happen when displaced or colonised peoples begin assuming the language and culture of the Coloniser. I chose to make it based on my experiences as an Anglo-Indian woman in Australia, having watched the quintessential Anglo-Indian-isms fade with each ageing generation. I am very fascinated in language as a cultural artefact, and so chose to make a typeface as an artefact that responds to different breaks or pressures as a kind of visual metaphor for Creole languages and the fact that language is always in flux, always being subjected to appropriations.

On the outcomes:

This one really reminds me of 8-bit video games and sci-fi shooters.

[thebonescorrexion]

Some broken letterforms I've been working on for an upcoming project on Creole languages. These ones ended up being swept under the rug pretty quickly because they were too hard to read. Still pretty cool though. The working name is "LangLiTch" but I think it's a bit cliché maybe...

The letterforms here that I've datamoshed are screenshots of text from The History of British India by James Mill. This text is pretty significant to the history of India, because it's sort of the foundation text of colonialism – it divides Indian history into roughly 3 parts, the first being Ancient history, the second being Islamic history and the last being the part where Europe saves India from itself. (Friedlander & McComas).

From left to right, then top to bottom: B, A, R, Q.