This Band Thought Their Biggest Hurdle Was the Patriarchy. It’s Actually the Internet.
By Safina Nabi
October 25, 2021
In almost every way, the tiny village of Ganasthan seems cut off. The closest big city, Srinagar, is a two-hour drive away. The main road that snakes through it is so narrow that most people are forced to walk two to three miles to get home.
Surrounded by tall pine trees that are hundreds of years old, most villagers busy themselves with the yellow paddy fields ready to be harvested, but the all-women band Yemberzal are practicing their distinctly traditional Sufiyana music at home and recording their sessions on their mobile phones.
They’re at a band member’s home made of mud, brick and wood – a traditional house no longer found in other parts of Indian-administered Kashmir. Despite being remote and traditional, the village has been connected to the rest of the world through mobile phones for years.
That is, until the internet blackouts that have driven the region of 12 million people into isolation.
“It’s been so long that we haven’t seen or performed on a stage. If you see other parts of the world, there are online music concerts, classes, but in Kashmir, nothing happens,“ said 22 year-old Gulshan Lateef, a member of Yemberzal, which last performed in 2019.
In August 2019, the Indian government revoked a 1948 UN resolution that gave Jammu and Kashmir autonomy as the only Muslim-majority state in India, and started one of the longest internet bans in history. It was restored in February of 2020, but internet outages have been frequent and unpredictable since then. A recent spate of violence prompted the government to cut the internet in the region yet again. This writer too had to ultimately resort to social messaging to submit this story when it proved too difficult to use email or other cloud sharing platforms.
Lateef and Irfana Yousuf, another 22-year-old Sufi musician, grew up with the internet easily accessible on their families’ mobile phones.
As soon as Yousuf was introduced to the basics of Sufiyana Mausiqi by her father, she knew she wanted to keep the dying art form alive by connecting with audiences on the internet. But first she had to formally learn the classic Islamic mystical music genre that is almost exclusively dominated by men, has unique instruments and is on the verge of extinction in Kashmir.
Experts say there are only four master teachers or ustads left in Kashmir who teach this ancient genre that is believed to have been born in the 15th century. Yusuf enrolled in a music course at the University of Kashmir in Srinagar to learn from one of them.
Her mission is to revive the dying genre of devotional music by preserving it and reviving its audiences through social media.
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