702. Charles Gwathmey & Robert Siegel /// Richard and Thea Benenson House /// Rye, New York, USA /// 1976-78
OfHouses presents Record Houses, part X. (Photos: © Otto Baitz. Source: “Architectural Record Houses of 1980″, Mid-May 1980.)
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702. Charles Gwathmey & Robert Siegel /// Richard and Thea Benenson House /// Rye, New York, USA /// 1976-78
OfHouses presents Record Houses, part X. (Photos: © Otto Baitz. Source: “Architectural Record Houses of 1980″, Mid-May 1980.)
Charles Gwathmey & Richard Henderson / Goldberg House (1969) vía OFHouses
The SB Silver Star with two F40PHR's and an 18 car consist of mixed amfleet and heritage cars rolls along the RF&P main on its way to Florida. The trailing unit is # 319. Once upon a time the Silver Star was Seaboard Air Line train #21. Gwathmey, VA July, 1990
Robert Gwathmey
Robert Gwathmey was a social realist painter recognized for his depictions of rural life in the American south. Born and raised in Richmond, Virginia, an eighth generation Virginian, Gwathmey is regarded as the first white American artist to produce dignified representations of black Americans through painting. A lifelong social activist, Gwathmey was a firm believer that artistic expression and social issues could not be separated. He sought to portray human subjects as he saw them, through observation, without over generalizing or romanticizing.
Gwathmey’s signature style employs abstraction in the service of social realism. Through utilizing geometric shapes with bold black outlines and flat applications of color, Gwathmey created two-dimensional representations, reminiscent of stained glass. Gwathmey was unimpressed by the Abstract Expressionists, who he believed acted irresponsibly in their disregard for artistic tradition and the harsh realities of modern life.
While the production of Gwathmey’s work was largely fueled by the social injustices of American life in the mid 1900s, his formal artistic interests were shaped by his study of European modernists such as Henri Matisse, Vincent Van Gogh, Pablo Picasso, and Rufino Tamayo. He admired French satirist Honoré Daumier and was influenced by realist painter Jean-François Millet for his depictions of nineteenth century rural French workers.
He died today in 1988.
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