Quick sketch of best girl
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Quick sketch of best girl
TW: J*mmy
Does anyone else think Daisuke is a foil to Jimbala? (Sorry I cant think of creative nicknames. Mouthwashing fandom, I have failed you LOL)
Granted I haven’t played through it multiple times so I for sure missed some stuff but from what I remember
Both have a sense of inadequacy
Both are fond of getting women
Both are not supposed to be on board, J diddy is only there because of Curly and Daisuke because rich parents or something
Plus Daisuke does mostly everything for other characters like his parents, goes into the vent because of Jo shmo, while JJ deluded himself to think he was doing it all for the crew
the queen and her ugly co-worker
some fun doodles :3
is my dad real
mouthwashing jdiddy yap again
ok so I’ve been seeing portrayals of jimmy as a POS who doesn’t gaf about the people around him, and that is partly true. but he’s not fully that kind of asshole. personally, I believe that he is the kind of bad person that isn’t aware of it. I’m referencing bojack horseman here, as their actions are similar in intent and their inability to see future consequences. he’s the kind of evil that’s absolutely pitiful. he hurts the other people around him, isolating himself, and he doesn’t even know it until it’s too late. he says repeatedly, “I can fix it,” but he can’t. and he could change, but he’s unable to see what he’s doing wrong. and he never will, because the one person who did not push him away, curly, enables jimmy’s behavior as a result of his emotional manipulation. but he doesn’t even know that. he fucks up, and fucks up, and he knows, but he can’t break the pattern because he just can’t see what the pattern even is. I thought about the parallels between bojack and jimmy when I watched jimmy’s monologue (curly burning) and his “I made a mistake, yada yada, it can be just you and me, im so fucking sorry,” reminded me of bojack’s “I need you to tell me im a good person” lines. he’s the kind of evil which you kind of feel bad for because he could change, and if he knew what he was doing wrong, he’d want to, but he just really can’t.
By J Diddy
Hwasun County, South Jeolla Province, South Korea
As a writer, even as a child, long before what I wrote began to be published, I developed a sense that meaning itself was resident in the rhythms of words and sentences and paragraphs, a technique for withholding whatever it was I thought or believed behind an increasingly impenetrable polish. The way I write is who I am, or have become, yet this is a case in which I wish I had instead of words and their rhythms a cutting room, equipped with an Avid, a digital editing system on which I could touch a key and collapse the sequence of time, show you simultaneously all the frames of memory that come to me now, let you pick the takes, the marginally different expressions, the variant readings of the same lines. This is a case in which I need more than words to find the meaning. This is a case in which I need whatever it is I think or believe to be penetrable, if only for myself.
Joan Didion, The Year of Magical Thinking