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For anyone who's keen on the Peter Jackson LORD OF THE RINGS movies and has had difficulty getting into the book, I really highly recommend Phil Dragash's Soundscape LOTR project, an unofficial, unabridged audiobook with music and sound effects from the film soundtracks. (Because it's unauthorized, you can't buy it, but it's around if you look on the interwebs.)
Dragash is a very good voice actor — so good that the retention of "he said" type dialogue markers is sometimes jarring — and captures the characters very well (although he mostly recites rather than sings the songs). Every so often he stumbles on the pronunciation of a word (curiously, more often real ones than Tolkien's constructed ones — for instance, in Bilbo's song of Earendil, "mariner" becomes "mareener"), but that's also true of the authorized audiobook readers. The Dragash version is clearly superior to both the 1990 audiobook by Robert Inglis (Inglis sings, but his performance of the characters is often stuffy) and the recent 2021 Andy Serkis version (Serkis is a wonderful actor, but some of the characters are beyond his range, and he sometimes seems daunted by Tolkien's poetic constructions). The main downside is that because the Soundscape project is a labor of love done without benefit of professional audio mixing tools, the music can occasionally drown out the narration; Dragash has redone several of the chapters over the years to address this.
Dragash's audio version is a good bridge for people coming from the films, since it's informed by them (in the performance of the characters as well as in the music), but as an unabridged adaptation, it restores excised subplots and flattened characterization, while capturing the sweep of Tolkien's language.
I now prefer it to the two modern audio dramatizations of LOTR: The 1979 Mind's Eye version, adapted by James Arrington (who also plays Gandalf), is essentially an abridged audiobook with multiple voice actors; Arrington is excellent as Gandalf, but the rest of the cast, drawn from local community theater, is not, making it a very mixed bag. The 1981/1982 BBC radio version, adapted by Brian Sibbery and Michael Bakewell (initially as 26 half-hour episodes, later reedited to 13 hour-long installments), is generally very good, with Ian Holm and Bill Nighy outstanding as Frodo and Sam and Michael Hordern a fine Gandalf (although I think Arrington better captured Gandalf's prickliness). However, not all the actors are of the same caliber (Jack May as Théoden isn't a patch on Bernard Hill); the clever idea of presenting the Battle of the Pelénnor Fields as a medieval ballad (by Oz Clarke and the Ambrosian Singers) ends up being hard to decipher; the transformation of narrative exposition to dialogue works in some spots and not others; and the inevitable abridgements are painful if you're familiar with the full text. I certainly wouldn't discourage anyone from the BBC version, and at 12½ hours, it's not much longer than the extended versions of the films, but it's no longer the gold standard for Tolkien audio.
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