DAD! Dad, Grandpa won't get up!
[ Frank’s been at the mansion for a couple years now, at the insistence of the three Joyce and Josh as well as Josephine and he’s become an even bigger, more important part of Josh’s life in the process.
Age has been catching up the him both a little and a lot at a time, and it’s nice to have him nearby to keep an eye on him, to keep him from being too reckless whenever he can and to make sure he doesn’t neglect himself. And having him around for Frankie to grow up around is just great; the little boy loves him so, so much. ]
[ When dinner is about ready that particular night, Josh calls his son over to him from where he’s been drawing—pictures of Joyce with her wings spread wide, proud; Josh holding the boy up with one arm; Frank with his hands on his hips and a green cape blowing out behind him—and steers him by the shoulders toward the hallway. ]
Frankie, go get your abuelo. Tell him it’s time to eat, okay?
[ As the boy runs off toward Mr. Johnson’s room on his mission, Josh returns to help set the table, gently bumping his hand to Joyce’s when they both try to set the same place at the same time, barking out a word of caution as a bot of pasta starts to boil over in the kitchen, and laughing at a joke or two passed around by the others.
They’re a family, this big, unruly group living under the same roof.
They’re a family, not by blood but by common goals and loving hearts.
They’re a family, human and mutant alike, and it’s a sign of hope for those old enough to see it; hope that this sort of thing could be global.
Everything good hangs in the air and comes crashing down when the boy runs back into the room, brown eyes blown wild and scared; when he exclaims that ‘Grandpa won’t get up,’ ‘Dad, he’s not moving!’ the entire room goes still, silent.
It’s Joyce that runs first, light and quick and terrified, dropping a handful of silverware that sounds like a detonation, waking everyone else from their stupor. It’s Joyce that slides out of the room and down the hall, with Josh just behind her.
It’s like running in a funhouse tunnel, trying to get down the hall to Frank’s room; he can’t get his footing and he feels he’s not moving fast enough for how fast his mind is working to tell him the worst. He’s not moving fast enough, and Joyce has disappeared into the man’s room well before he gets there.
By the time he gets, there, Joyce is alternating between taking his pulse at his wrist, his neck to cupping her daddy’s face in her hands, and she’s weeping openly, and desperately, angrily trying to bargain with the finality of death. He’s halfway across the room to his wife when their son catches up with them, too young to understand why his mommy is crying so hard and why Josh looks like the earth’s been pulled out from under his feet.
‘Daddy? Daddy?' the little boy's voice cries out, cracking from the emotion he doesn't understand that's filling the room, suffocating everyone inside.
Josh pulls him to his side, and pulls them both along to Joyce as he hikes the boy up onto his hip and kisses the top of his head. ]
Mommy’s gonna need us both right now.
[ He can’t say his little boy’s name; not right now. ‘Frankie’ just hurts too much. ]
We’re all gonna need each other.