"So happy i got to be by your side on your special day Nicole 🥺 It was absolutely magical. the best day celebrating the Bruno's 🤍 same time next week @nobread @benbrunotraining ? 💍 I LOVE YOU BOTH"
i have to say. i cannot help but be team oscar a little more because honestly oscar kinda captures what i saw in the original gary preston more than max does. also oscar is a sweetheart. however.
it’s 2021/22, enough with love triangles, pick them both. the three of them should be together & let’s be honest here, all the characters on this show (apart from the mother) come across as lgbtqa+
I thought a lot about how I feel about this show, and there are lots of words, so it’s gonna go under the cut.
In summary: I didn’t enjoy it quite as much as I hoped to, and i discuss why I think that was. BUT there are great things in this remake, and I want to name them as well!
There are two ways to look at Call Me Kat: As it’s own thing, and as a Miranda remake. As a Miranda Hart stan, I’ll have a lot more to say about the latter, so let’s start with the show itself.
On It’s Own
That felt appropriate, nvm me
It’s a cute show. It’s not a groundbreaking concept, and it’s not re-inventing the genre, but it has some really good things going for it:
Kat is happy and confident in her quirks, but doesn’t have it all together - so she has room to grow and is very sympathetic, all the while encouraging the viewer to celebrate their own quirks. Lovely! Also Mayim is a treasure and it’s great to watch her perform.
The show openly discusses “taboo” topics, like using anti-depressants and their side-effects, freezing your eggs, comparing yourself to a hallucinated version of your crush’s ex... The show isn’t a trailblazer, (partly because there have been many great shows in the last couple years) but I thinks it’s awesome to see them further treading out the ground and normalizing these topics.
It has a nice set of characters that go through their indepent stories, I found myself excited for any new episode and enjoying the varying storylines. (Most of them Randi.)
And, although the last episode dragged it right back into the romantic territory, Kat has a genuine friendship with Max and I value that a lot. Neither of them harbours secret feelings, instead they are open and honest about it. The only thing they overdid here was to have an exchange of “Do you remember, when we were in college together and [blank] happened?” in at least every other episode.
Another thing on the down side: Neither the writers nor Mayim seem to fully know what to do with the fourth wall breaks. I don’t mind the thing, it just doesn’t feel fully rounded out - like how much they want to use it, what purpose it really has, ...
I think it’s due to the circumstances of the filming (pandemic restrictions and all), but more on that later. So much for the show itself.
As a remake
First of all: Do I love Jim Parsons for looking at this absurd british gem of a TV show and deciding “the world needs more stuff like this”? Absolutely! Because I agree! There were two or three moments that leaned on Miranda a little too much for their own good, but overall: it is content inspired by Miranda, but neither correcting, it nor copying it. More power to this concept.
More power to celebrating the silly joys in this live, to celebrate not being normal, more power to amazing friendships and women who find their own path. Call Me Kat does all of these things.
However, it doesn’t quite live up to it’s Mothership. Let me elaborate.
There is a myriad of reasons why Miranda works and I will not attempt to list them. However there’s one thing that does stand out to me in the original, and that I really miss in the adaptation: Miranda didn’t just write “a plot” and salt it with “a few jokes”. She carefully built tensions and different storylines to culminate together. Sometimes it’s a funny word that the character hears in the first act, and later nervously blurts out in the wrong moment. Sometimes it’s a parade of characters she met through the episode that all meet in one spot at the end. Or there is a throw away comment in the beginning of an episode that sets up a revelation toward the end.
I could swarm you with examples, a good one is in 1x03 Job: trying to impress Tilly, trying to deny waitressing, and then: the multiple “You weed in a ball pool?” and Gary in uniform walking in right on time to sell the lie about being an undercover commander. Another one of my personal favorites is in 2x04 A New Low, when Miranda in the end tells Gary that he lost her trust, and he’ll “never get to see her naked sweep” - and then he find’s the portrait Tamara did of Miranda’s “naked sweep”. Just hit’s right.
That is a testament to how well crafted the episodes are. In Call Me Kat? All Nighter and Gym had moments like that, and Double Date very early on set up Kat’s dream to use the sound system, but it just never reached that same level of mastermind.
But, in defense of CMK: Miranda was crafted over ten years with a full of 20 episodes airing (21 if you count the radio series) and the cast worked together a good year before they filmed the first series of 6 episodes. Compared to that, work on Call me Kat started around 2018, the cast was assembled in the first half of 2020 and started shooting in late October. They then shot 13 episodes in their first season. (which is more than half of the total episodes of Miranda, just saying) Sources: english wikipedia articles for Miranda and Call Me Kat, as well as Mayim’s Youtube. (Jep I did research for this.)
Also the CMK episodes were written and directed by a variety of people, while the Miranda episodes have all been at least co-written by Miranda Hart and all except for the last two were directed by Juliet May.
These are - as much as I as a humble consumer with a bit of wikipedia knowledge know - basic differences about how shows are made in the UK vs. in the US, and neither formula is any way of guarantee for the quality of the final product. However I think somewhere in those facts is the reason why the Miranda ship feels a lot more in shape and ... coherent. The pilot that we know and love is the fourth time they recorded the script, and I don’t even want to know how many times the script had been edited in between. The cast knew each other well, the material had been tested in front of multiple audiences. Call Me Kat had neither of these luxuries. On the contrary, CMK has been put together under restrictions due to the pandemic.
So on the one hand, I am majorly grateful that this show even got to see the light of day! That means that a full cast and crew had jobs in these trying times, and it means that we were provided with good entertainement.
On the other hand, the circumstances are showing in the final product. The cast had an awkward chemistry with each other, and the comedic timing, though not horrible, could have been a lot better.
This may be an unpopular opinion, but I think studio audiences can be a blessing. There is something about the actors having a genuine connection to real time observers that helps me as a screen audience connect to it. And for this staged multicam show that includes glances at the camera? I think a real audience would have grounded the concept. And it would have given the team a direct feedback as to which moments were working comedically and which weren’t.
What I’m trying to say is: they had big shoes to fill, and the odds were not really in their favor, and so it doesn’t really hold up in comparison.
That’s sad. But that doesn’t mean that it’s a horrible show. As I said in the beginning, I love that this show is done in the spirit of Miranda, even if it’s not just as good.
I have no idea how the show’s chances are to get a second season. If they do get renewed - I’ll keep watching.
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Now, let me finish with a few gifs that I feel like they can be applied to the whole “they remade Miranda and it went both ok and less then ok but at least the word is being spread, right?”-situation.
because Kat/Max is good but could anything ever be Miranda/Gary?
Not really...
ok that one’s a bit rude. but you thought it, too.
Jim turning in bed at night overthinking if Mayim was the right choice. But she was. Much like Stevie was for Miranda.
Honestly a very good part of the remake is Mayim and Cheyenne performing together! I personally think this moment above is responsible.
Trying to match the CMK characters to the Miranda characters like: I thought Phil is supposed to be the Customer but turns out Phil originally was supposed to a Phillys? So Phil is Stevie, but then who is Randi? Tilly? So many questions.
The moment when “Is this American Miranda?” became “This is American Miranda!” And through three episodes ... it’s okay, I guess. A few good jokes here and there, but it never goes full-cringe like Miranda always did -- and half-cringe isn’t funny, it’s just uncomfortable. I like it enough to keep watching for now, but I hope it gets better.
