#key's problems

[key-ei]

Being an adult is hard.

Being a college student is hard.

Being someone responsible is hard.

I'm currently 28,000 dollars in debt with student loans, and well I'm my way of increasing it to 38,000 dollars going into my third year. Hopefully by my last year, I won't have to pay out of pocket. 

I have to balance out my loan forgiveness with my tax interest rate to get a stable rate paid off by the time I'm 30. I have to make sure my certification for teaching are well on there way by the time I'm a Junior, barely 20, and I have little ability to take care of myself now because it's just me, myself and I. I don't have any family to support me, if anything, I'm still supporting them.

I'm scared, I'm worried, I'm frantic, getting apartment, making sure my grades are okay, if I can still qualify for my grad program, can I even afford it? Damn IT.

I hate being an 'adult'.

[key-ei]

I feel the urge to throw continuously still. 

[key-ei]

I have a question for you guys:

See, I registered late so I'm on waitlist for a really important class and it hasn't moved in ages. I'm really nervous because we have like three days before class begin again. I can add my EDU PHIL class but it's taught by this professor who doesn't have the best rep. Plus it's a night class. Which I can take TUES or WED. So should I wait for my waitlist class or take the PHIL class instead? If PHIL, which day is better? Tues or Weds?

[key-ei]

my sister is a mild bigot and i have to accept this

[key-ei]

This is basically key's notes on her essay

In context with the definition given in class, supported by the description in ‘The Making of a Poem’, a Villanelle is a poem that defines itself as by its repetitive style

In both ‘Condemned Site’ and ‘Don’t Go Gently into that Good Night’, I can conclude that neither has a resolution.

Villanelle non-narrative, hard to say a story when it repeats

Repetition intensities meaning over time, Form is comfortable without a resolution, Abstractions

Terest 3 line stanzas 2 refrain, repeat as a couplet at the end, 19lines, Rhythm pattern aba

Virtuosic = show off

Powerful recurrences of mood and emotion and memory, Circles around and around

do not go gently into that good night = contradicts and is iambic, Tone in

One thing I noticed in the status quo of the poems is how the contemporary counterpart seemed to denounced the classical way with firm repetition of lines 1 and 3. I mean how they subtly change the presentation of the line, such as “the would-be rearranger of Love’s old boardinghouse. The shades of five rooms are drawn on the Heart’s unlicensed…”     

PEOPLE DIE EMPHASIS

From reading the classic poem, I see the way that the writer presents the poe in a clean fashion that makes the point, the misery of the piece, emphasized without drawing too much outside the first and third line.

and demonstrate how the contemporary counterpart either MAKES USE or WEAKENs its associations and RESEMBLANCE with the classic. 

[key-ei]

"—and demonstrate how the contemporary counterpart either exploits or subverts its associations and affinities with the classic.

5 pages. Due Monday, March 11."

fucking college