My favourite type of chameleon 🙂↕️
seen from United States

seen from Australia
seen from United States
seen from Brazil
seen from United States
seen from United States
seen from Bangladesh
seen from United States

seen from United States
seen from Brazil
seen from United States

seen from United States
seen from South Korea
seen from Mexico
seen from China

seen from Germany
seen from United States

seen from Malaysia
seen from China

seen from Malaysia
My favourite type of chameleon 🙂↕️
Princess Jasmine (Aladdin) x Sultan Alauddin Khilji (Padmaavat)
Padmavati for Daemon AU? I'm kind of fascinated about what the inner souls of any of the characters would look like, considering that their personalities and interactions can be interpreted in markedly different ways (Ratan as heroic chivalry or selfish idiocy, Padmavati's beauty and Rajput glory vs her role as rapidly dwindling voice of sanity, Nagmati as the shrew or the only one left with any sense, Mehrunissa's relationship with Padmavati, etc)
Padmavati’s leopard is meant for the jungles of Singhal, fractious and uneasy in the dry heat of Mewar, and it seems nothing like the the small, unobstructive daemons that the other ladies boast; if a woman’s face ought not be seen by strangers, why should her soul? But Padmavati’s leopard follows loyally at her heels, and whatever else compromise she might make to walk among her husband’s people, this will not be one of them.
Ratan Sen’s daemon is an elephant, regal and refined. But also near-impossible to accomodate, except in the palace (modified over the generations by ruler after ruler with a similarly inconvenient form). His nobles live in terror that he might invite himself to dinner, requiring a pavilion to house his daemon to be constructed at once, but Ratan himself thinks nothing of this, or the opportunities of which it might deprive him: it is just one more burden, he says humbly, to which he has been born.
Nagmati’s shrew rides on her shoulder, scorned as ever: but in her father’s house, they smiled to see it and spoke of how shrews were responsible for slaying all sorts of vermin. “Perhaps not much to look at it,” her father would say, “but the promise of a clean kitchen is something no man or woman would do well to remember before they speak careless words.” She remembers those words, and repeats them to herself, whenever her husband’s eyes slide away; she remembers those words, even if no one else will.
Mehrunissa’s daemon takes the form of an ostrich, wide-eyed and easily ruffled, and that that is why she asks her father for the gift of feathers, why she claps her hands with delight to see a twin of her own dear daemon brought before her. The bird is chained, though, the end held carelessly in Khilji’s fingers, and Mehru, poor Mehru, never stops to think what that image might mean.
Khilji is ever accompanied by a crocodile: lazy, unhandsome, ever smiling. But when it attacks–oh, when it attacks–it shows no mercy, and its bite cannot be dislodged by any power in the world.
Kafur’s daemon takes the shape of a moth: beautiful and light and utterly transformed; and unlike others, this moth has learned all too well what flames to avoid. He tells himself that, quite often, and sometimes he even believes it.
Ranveer Singh | Padmaavat ↳ Sultan Alauddin Khilji.
Ranveer Singh, Padmaavat, 2018.
watching padmavati has put me right back in the ranveer singh feels. why did he have to look so good as khilji??? why am I so attracted to him as khilji??
Allah Ki Banayi Hui Har Nayab Chiz Par SIrf Allaudin Ka Haq He !!!
Ranveer Singh as Sultan Alauddin Khilji ( Turkish Sultan )