seen from China

seen from Malaysia
seen from China

seen from Malaysia

seen from Malaysia

seen from Türkiye
seen from United Kingdom
seen from Türkiye
seen from United Kingdom
seen from United Kingdom
seen from Malaysia
seen from China
seen from United Kingdom
seen from Russia

seen from United Kingdom
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seen from Paraguay
seen from Algeria
seen from United States

seen from United Kingdom
a crude summary of one of my favorite musicals
we saw you from across the bar and hated your vibe
Imagine being Anais Mitchell and writing a song about the rhetoric of fascism so incisive and prescient that 10 years later an actual fascist would use that exact rhetoric down to the highly-specific phrasing in his presidential campaign. But also it took 10 years for the project you wrote that song for to move from living room shows to concept album to theater workshop to off-Broadway to Broadway, and its Broadway debut ended up coinciding with said fascist's successful bid for the presidency, and now it looks like your song that you wrote in 2005 is a super unsubtle reference to that one particular and highly-topical politician.
Frankly if I were her I would have started killing.
Thinking about the Hadestown proshot and Orpheus being introduced wiping down a table with his back to the audience. Hermes has to call out to him again to get him to take his opening bow, and for the show to start, Orpheus has to turn around.
On the road to hell there was a railroad car...
I got this while scrolling on instagram to try to convince me to join threads and I—
We did it. We finally saved her.