Online portfolio of London based photographer Jonathan Ford.
Great photos by Jonathan Ford. The last one is an outtake with the amazing Endeavour hair and makeup guru, Liz Phillips.
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seen from Yemen
Online portfolio of London based photographer Jonathan Ford.
Great photos by Jonathan Ford. The last one is an outtake with the amazing Endeavour hair and makeup guru, Liz Phillips.
Liz Phillips: sound art, modular synthesizers, sound and site-specific installation
https://soundcloud.com/lizphillips
http://lizphillipsgovsisland.blogspot.com/2017/06/wave-crossings.html
CE: The work raises a certain question of public monument, or anti-monument, and public sculpture. This usually means sculpture or something that is plotted down. Windspun is something more dynamic, formally and socially. LP: The people at the Whitney – it was much harder. It was during the 1985 biennial and it was outside in the courtyard. I wired it from the roof, and the other anemometer was on the bridge, so you could see it [at the entrance]. The people who got into it were the people who lived or worked around there. The guy who ran the hotdog stand still offers me a free hotdog. I don’t usually want one.
the grooviest professor I had at Purchase, Liz Phillips, in conversation with Charles Eppley at AVANT.org
My interview with pioneering sound installation artist Liz Phillips is now online, as is documentation from the Circuit Scores program in which she participated, along with Julie Martin (Dir., Experiments in Art & Technology), Mats Lindstrom (Dir., EMS Stockholm), and Composers Inside Electronics. In the interview, we discuss her interest in electronics, creative circuitry, collaborations with Alison Knowles and Yoshi Wada, and the current legacy of American masculine electronics culture.
Credit: Liz Phillips