#lucastoppini

[studio-p]

Supplemento di Vogue Italia n. 634, Giugno 2003 - PERMANENT FOOD

[studio-p]

L'Uomo Vogue n. 306, Dicembre 1999

[fashionistaru]

#nightmood #goodnightandsweetdreams with @anastassiakhozissova by @therealpeterlindbergh for #gianfrancoferre @fondazionegianfrancoferre #fashionadvertising SS 2001 Art Director: @stoppy_lu #LucaStoppini #anastassiakhozissova #artoffashion #beautyofwoman #womanportrait #artofphotography #fashionphotography #beautyoffashion #fashionasinspiration #russiansupermodel (at Lucca, Italy) https://www.instagram.com/p/BvhzQ8qBDcH/?utm_source=ig_tumblr_share&igshid=1llvi1jlhfrr8

[fashionistaru]

#goodnightandsweetdreams @fondazionegianfrancoferre #PeterLindbergh, Prêt-à-porter Advertising SS 2001 Art Director: Luca Stoppini Model: Oluchi Onweagba #gianfrancoferre #lucastoppini #oluchionweagba @therealpeterlindbergh #fashionadvertising #artofphotography #beautyofwoman #womanportrait #contemporaryphotography #historyoffashion #fashionphotograpy #fashionasinspiration (at Moscow, Russia) https://www.instagram.com/p/BnxS8bGFlsx/?utm_source=ig_tumblr_share&igshid=733ienah6j4

[booksinprogressmilano]

Valentino’s red book Fashion Photocopy manual 1960-00 Concept by Franca Sozzani. Art direction and design by Luca Stoppini Rizzoli Libri Illustrati, Milano 2000, 324 pagine , cofanetto due volumi + pieghevole euro 190,00 email if you want to buy :[email protected] “Valentino’s red book” è un portfolio che riassume la storia di 40 anni di lavoro di Valentino attraverso le interpretazioni di artisti della fotografia con un unico denominatore: abiti unicamente rossi scelti tra le collezioni di Valentino tra il 1960 e il 2000 indossati da dive, celebrities e modelle famose. Abbinato ad esso “Fashion Photocopy manual 1960-00”, un libro tecnico che vuole mettere in risalto le lavorazioni, i dettagli, le strutture che normalmente si perdono in nome dell'immagine. E’ un documento che serve per la consultazione, per la storia della moda e per capire fin dove il lavoro manuale può arrivare. Il pieghevole “The Valentino” completa il cofanetto. The Red book explores the Valentino Red and includes work from Bruce Weber, Tim Walker, Deborah Turbeville, Lindbergh, Meisel, Helmut Newton etc. The Fashion photocopy manual is a sort of collaged inventory of work from 1960-2000, there’s about 250 pages , then there’s ‘The Valentino’, which is a newsprint tabloid of Veruschka, Liz Taylor, Princess Margaret, Christy Turlington etc. orders to: [email protected] twitter: @fashionbooksmi flickr: fashionbooksmilano instagram: fashionbooksmilano tumblr: booksinprogressmilano Tags: #valentino #francasozzani #lucastoppini #redbook #rossomoda #fashionbooksmilano

[eurfashion]

GIANFRANCO FERRÉ | PRINCESSE | S/S 2006

Light and sumptuous, this shirt is endowed with an elegant regality which perfectly contrasts the classic simplicity of the masculine cut of the main body of the garment, a juxtaposing of opposites which has always been one of the main stylistic features of Gianfranco Ferré’s work. The tailoring with which the long, loose shirt is constructed provides a masculine line down to the bust at the front and enables the accommodation of a long train at the back where the thigh-level lower hem forms the point of departure of a deeply pleated ruche mounted on a ribbon of cotton canneté which ends in a large bow. The outer edge of the ruche is decorated with another frill which further increases the volume and movement of the garment.

Gianfranco Ferré. Photo: Luca Stoppini. Exhibition: La Camicia Bianca Seconde Me - Gianfranco Ferré.

[eurfashion]

GIANFRANCO FERRÉ | ORIGAMI | S/S 2004

A sculptural study of volumes made possible via a choice of fabric and construction techniques which endow the shirt with a balletic, almost ethereal quality. The stiffness necessary to create the fan effect is achieved by the use of two layers of pleated nylon tulle, laser cut with a pattern of rhombuses and circles, which are joined at the waist in such a way as to allow them to open upwards and accommodate the head and arms. Two tiny loops located inside the front and back of the shirt allow the sleeves to be formed by the use of ribbons and transparent press studs. Defying all the traditional rules of tailoring, the origami shirt focuses the attention of the macro-ruff element to the exclusion of all the other parts of the garment.

Gianfranco Ferré. Photo: Luca Stoppini. Exhibition: La Camicia Bianca Seconde Me - Gianfranco Ferré.

[eurfashion]

GIANFRANCO FERRÉ | RABARI | S/S 1995

The structure of the garment makes stylistic reference to the kediyun, a jacket worn by the Rabari people of Western India, while the influences by which it is inspired focus on the potential offered by primary geometric figure. The lower part of the shirt indeed is a perfect circle. The slim kimono-style sleeves are longer than normal but fitted with a hidden coulisse to enable their shortening. The circular shape of the lower part of the shirt and the way in which the stitched frill creates a fluidly rhythmic cycle of waves.

Gianfranco Ferré. Photo: Luca Stoppini. Exhibition: La Camicia Bianca Seconde Me - Gianfranco Ferré.