Archive feature from 2012: Lynne Essex – The Lana Sisters
One of the UK's greatest-ever singing stars, Dusty Springfield, (pictured left) was born on this day – 16 April – in 1939. To mark the occasion we are posting one of our favourite archive features, which came about after a friend met Lynne Essex, née Abrams, (right)… in a swimming pool of all places. Lynne had been a member of the Lana Sisters – a "girl harmony act" founded by Iris Long (later known as Riss Chantelle) – who gave Dusty her first professional job.
By Liz Arratoon
It is common knowledge that a 1994 advertisement in The Stage launched the Spice Girls’ careers, but more than 35 years earlier another girl group, the Lana Sisters, placed an ad in that newspaper that gave a much greater star her entry into showbusiness. In 1958, roughly 30 girls applied for the vacant position with the close-harmony trio. From their shortlist, Lynne Abrams and Iris Long chose 19-year-old Mary O’Brien, who would later become Dusty Springfield – the White Queen of Soul. But in those early days, as Abrams – now Lynne Essex – remembers, she was their last resort: “I loved her dearly; she was lovely but I have to say she certainly wasn’t glamorous and was very awkward then.”
Long had started the Lana Sisters, and Essex explains: “I was the first girl Iris took after she saw me singing in a little cabaret at a holiday camp. She’d originally worked with Ivy Benson, who led an all-female swing band, and learnt the business side of things from her. We were the Iris Long Trio for about a year, then established ourselves as the Lana Sisters and were very successful. We’d done all the donkey work, the touring and summer seasons up in the top of Scotland to iron our edges out. We had lots of work and a recording contract with Fontana Records.”
But with the departure of another girl they turned to “their bible” The Stage. The ad said [something like] ‘Well-established female singing trio, the Lana Sisters, require another member. Please apply by letter, enclosing a photograph’. A photo was vital, as Essex points out: “You can’t look like the back of a bus in this business and we didn’t have all the facelifts and things then.”
Thirty were whittled down to a dozen. “One particular girl seemed OK but we didn’t like the look of her photograph… and that was Dusty, or Shan, as she liked to be called. We’d auditioned the others and for whatever reason, they were useless. They couldn’t sing the harmonies, they couldn’t hold the notes; they were maybe very pretty but not up to it. In desperation really, I said to Iris, ‘Well, we’ll just have to have a look at this Mary O’Brien. She plays guitar and can sing. We’ll have to phone her.”
A rehearsal studio was booked in Leicester Square for 5pm and on a chilly day the girls waited. Five o’clock came, five past came, ten past, quarter past, with still no sign of her. “We thought, ‘She’s going to be useless; she can’t even keep time’. But as we walked down into the street we saw this little bundle of fake-fur coat coming towards us.” Full of apologies, Dusty, who was living in Ealing with her parents, explained she’d been delayed on the Underground.
Essex and Long returned to the studio to see what she could do. “We gave her an idea of the sort of songs we sang and, of course, when she started to sing she could do the harmonies off the top of her head. I could tell she had a very good voice, a unique voice. I said to Iris, ‘It doesn’t matter what she looks like, we can do something about that, and her stage presence’, which was pretty ghastly.” The Lanas were playing the Metropolitan Theatre in London’s Edgware Road, and decided to rehearse her running on and off stage. She managed that “without falling over” and they took her.
Dusty had only previously played tiny clubs in the West End with her brother, Dion. They played Latin American music and she would sing in Spanish. Her first professional appearance was with the Lanas at a show in Lincoln. Essex recalls: “All the big names of the day were there. We used to dress in lamé trousers and high heels, which were quite raunchy for those days. We weren’t twee like the Beverley Sisters. We had three minutes to get onstage down some pretty nasty concrete stairs. Dusty tripped, of course, fell, and tore the front of her lovely blue lamé trousers.”
After that inauspicious start, things went well. “She definitely improved our sound but it was a terrible shame that Iris wouldn’t let anyone sing the solos. We’d sing in unison. Dusty was only allowed to sing the bottom harmony, Iris sang the melodies and I sang top harmony, but to have a girl in the act with such a tremendous voice, it was criminal. They all have individual mics today but we had one central mic. You couldn’t wander off and sing on your own.” Long also wanted them to look similar and they had their hair dyed blonde just at the front by Raymond, Mr Teasie-Weasie.
The Lanas may not have matched the dizzy heights of Dusty’s later success but they were right up there with the likes of their “arch rivals” the Kaye Sisters. They did big summer seasons and their famous records include (Seven Little Girls) Sitting in the Back Seat and My Mother’s Eyes. They were the only supporting act for Nat King Cole’s London date at what is now the Apollo Victoria Theatre. “We did an awful lot; a whole series of Six-Five Special and a series of Ready Steady Go! on TV. And we’d play the American air force bases at home and in Europe.”
Dusty stayed with the group for two years but when the end came it was sudden. “We were always together and it was very strange. We were playing Taunton in Somerset and Dusty kept disappearing. At the end of the week she said, ‘I’m sorry girls but I’m leaving’. She set up the Springfields with her brother, now Tom Springfield, and Tim Feild. We couldn’t believe it. It was just before a big summer season with Adam Faith, John Barry and Emile Ford. They’d been rehearsing in a field and it was springtime. To this day I don’t know if that influenced the name. She’d gained an awful lot of experience with us and had all the grounding. Quite rightly she decided she should be singing the solos. It didn’t take long before they became very famous. That’s when she changed her image.”
But Essex says they had nothing to do with Dusty’s trademark blonde wig and heavy black eye make-up, and reveals: “She didn’t like her hair colour, which was red, and she didn’t like her looks. She thought she looked like Peter Ustinov.”
Six months later Essex met Arthur, her husband to be, got married, left the Lanas and had two children, Amanda and Michael. Iris changed her name to Riss Chantelle, found two new girls and started the Chantelles. Dusty and Essex, as close as real sisters – she was Amanda's godmother – stayed in touch until Dusty left for America. “Even today I have to pinch myself to think that I actually did take this young lady on. When I hear one of her records it just amazes me that that little bundle of fur that ran across the road, looking like Peter Ustinov, turned out to be such a huge, huge star. I’m so chuffed. I can’t believe I was part of it.”
Pictures of the Lana Sisters and the one above courtesy of Lynne Essex
A version of this feature first appeared in The Stage
