#marbled endpapers

[curiouscatalog]

Two more lovely examples of marbled paper on books.

Green from: The Southern review, v. 10, Jan.-Apr. 1872

AP2 .S855

Red and blue from: Appletons' journal of literature, science and art, v. 2, 1869.

AP2 .A58

[zhalfirin]

Winnie-the-Pooh - A.A. Milne with decorations by Ernest H. Shepard

I got the chance to bind this wonderful typeset by @mourningmountainsbindery Many thanks for that!

Materials used

case

binders board (3mm) book cloth (uncoated) decorations, laser printed recessed paper onlay title, hot stamped

inner book

paper: Schleipen Fly 05 (115gsm) endpapers: marbled paper by @renato-crepaldi endbands: Gütermann button hole silk edge decoration: gauffered egge with acrylic paint, waxed and polished

format: 11,5cm x 15cm

[zhalfirin-binds]

Interview mit einem Vampir - details

Here are some detail shots of my latest re-bind. I worked with a couple of unfamiliar materials and lets say, I made a lot of new experiences.

I already mentioned in the WIP posts, the book cloth was self made. I pre-washed the cotton fabric and used thin paper and wheat paste glue to back it. Sadly the wheat paste was not strong enough to hold firm at the hinge. This I only found out after it was completely finished, when training the book. (naturally it shows on the front side of course).

I considered taking a syringe and injecting some glue into the loose pocket, but finally decided against it. The loose cloth there is an aestethic flaw, not one of integrity. I’m fairly certain I’d end up with glue stains pressing through and still some loose cloth if I tried it and decided to save me the pain. As for the self-made cloth, I’ll see how the next book turns out before making more bookcloth now. See, how the different fabrics are to work with first. 

The cloth also gave me quite some trouble when hot stamping the title on it. Originally I planned on titling in copper, but for some reason the foil would not adhere to it. I increased, pressure, temperature, stamping time, but nothing got me satisfactory results. Then I tried stamping in black and that went without any trouble. On the first go I got crisp and clean lines with no blank patches at all.   

I considered getting creative and use the black as a base colour and simply stamp copper on top (usually that actually works). It did not work though. The copper still came out mostly patchy

It has a certain grunge look to it. But I decided against it in the end.

As for the corkcloth. The turn ins were a bit of a hustle to glue down, but I’m quite satisfied with the result. It gave me no crisp edges, but they do look clean and neat, no air pockets under them and the corners turned out really well, the fix is even hard to see when knowing there is one. Also the cork feels like it’s really lenient when it comes to stains and, something I like a lot, it has a warm feeling when holding it. Even leather feels cool in comparison.

Lastly, I noticed I didn’t even show off those endpapers. I had the hole sheet sitting in my stack for years now and never knew what to use it for. When I made it did not consider it a success, simply for the large blank patches and the brownish red colour that looked a bit weird in contrast (this was another ‘hm I imagined that to turn out different’-moment). The blank areas don’t even look like there’s something lacking here though.

[rkschweiger]

Absolutely obsessed with Victorian endpapers and had to try marbling some of my own

[noelcollection]

Marbled endpapers. Spanish moire over French curl.

Image from:

The memoirs of the celebrated and beautiful Mrs. Ann Carson.  Philadelphia ; New York : sold at No. 167 1/2 Greenwich St. and N.E. corner of Nassau and Greenwich sts., 1838. Call Number: HV6248 .C3 M4 1838 Catalog Record: https://bit.ly/2GdEQgS

[illinoisrbml]

Today's Cavagna of the Day is an example of the many delightful features of books we at the Cavagna Cataloging Project encounter in our day-to-day work. It is an (apparent) contemporary doodle on the marbled front endpaper of a 1783 biography of politician and art collector Carlo Firmian, who died the previous year. There's another doodled head on the opposite page. SL Angelo Teodoro Villa. Caroli Comitis Firmiani vita (Mediolani [Milan]: Typis imperialis monasterii S. Ambrosii Maioris) B. F524v https://vufind.carli.illinois.edu/vf-uiu/Record/uiu_3103953/Description

[zhalfirin]

Mumins lange Reise - Tove Jansson

(The Moomins and the great flood)

[zhalfirin]

The island of Doctor Moreau - H. G. Wells

Art by Ivica Stevanovic