Apr 30, 2019
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US Vogue March 1, 1951
Martita, wearing a hat that matches her eyes and eyeshadow chosen to accentuate this detail. Velvet beret by Mr. John. Eyeshadow in "Sapphire Blue" and lipstick in "Mint Rose," both by Harriet Hubbard Ayer. Diamond-set aquamarines by T. Azeez.
Martita coiffée d'un chapeau assorti au regard et un fard à paupières choisi pour souligner ce détail. Béret en velours signé Mr. John. Fard à paupières « Bleu Saphir », rouge à lèvres « Rose Menthe », tous deux de Harriet Hubbard Ayer. Aigue-marines serties de diamants, T. Azeez.
Photo Erwin Blumenfeld
US Vogue March 1, 1951
"Cachotier"
Christian Dior Spring/Summer 1951 Haute Couture Collection. Ligne Naturelle/L'Ovale. Eva Gerney wears "Cachotier", a set in lead gray wool poplin "Flint" by Lesur and white shantung "Ming" by Bianchini-Férier.
Christian Dior Collection Haute Couture Printemps/Été 1951. Ligne Naturelle/L'Ovale. Eva Gerney porte "Cachotier", ensemble en popeline popeline de laine gris plomb "Flint" de Lesur et shantung blanc "Ming" de Bianchini-Férier.
Photo John Rawlings vogue archive
US Vogue March 1, 1951
(top) Jacques Fath Haute Couture Collection Spring/Summer 1951. On the left, Eva Gerney in a pleated ice brown Shantung taffeta dress, on the right, Anne Gunning in a lilac taffeta dress.
(below) Jacques Fath Spring/Summer 1951 Haute Couture Collection. On the left, Bettina Graziani wears "Galet" pleated dress in tortoiseshell Shantung taffeta, on the right, Sophie Malgat in a grapefruit taffeta dress.
(au dessus) Jacques Fath Collection Haute Couture Printemps/Été 1951. À gauche, Eva Gerney dans une robe plissée en taffetas Shantung marron glacé, à droite, Anne Gunning dans une robe en taffetas lilas. (en bas) Jacques Fath Collection Haute Couture Printemps/Été 1951. À gauche, Bettina Graziani porte "Galet" robe plissée en taffetas Shantung couleur écaille, à droite, Sophie Malgat dans une robe en taffetas pamplemousse.
Photo John Rawlings vogue archive
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Marlene Dietrich in a black evening dress created by Christian Dior for the 23rd Academy Awards on March 29, 1951. On her wrist, she wears one of her favorite jewels acquired in 1937, the garter bracelet from Van Cleef & Arpels. This generously sized piece features a pattern of round and baguette-cut diamonds surrounded by a large loop set with oval rubies.
Marlene Dietrich dans une robe du soir noire créée par Christian Dior à l'occasion de la 23eme cérémonie des Oscars le 29 mars 1951. Au poignet, elle porte l'un de ses bijoux fétiches acquit en 1937, le bracelet jarretière de la maison Van Cleef & Arpels. cette pièce aux dimensions généreuses se compose d’un motif en diamants tailles ronde et baguette cerné d’une large boucle sertie de rubis ovales.
US Vogue March 15, 1951 ❤️❤️❤️❤️❤️
Model Eva Gerney wears a white silk-faille suit with a narrow skirt sheathed in two pleats. Designer Ceil Chapman.
Black velvet hat, covered with white straw by John Frederics.
Jewelry; Van Cleef & Arpels.
Charles of the Ritz lipstick.
Photo John Rawlings
vogue archive
Eva Gerney in short black chiffon dinner dress, strapless bodice is wrapped with attached stole that's tied in bow in front by Balenciaga, photo by John Rawlings, Vogue, March 15, 1951.
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US Vogue March 1, 1951
Short Ball Gown ❤️❤️❤️❤️
daytime-short and shoulder-baring.
Butterfly-light in silk paper taffeta. The bow a lift of colour to balance
the side-flight of the skirt. Made to order. "V V Night" lipstick. Henri Bendel.
Photo: Cecil Beaton
Model: Unknown