#marcodassi

[iswingparty]

Wasted #2 // Balearic Gabba Sound System & Marco Dassi

Venerdi 23 Maggio secondo party Wasted all'insegna della disco/house e dei suoi balearici. Questa settimana vi presentiamo due dj's / producers da una delle etichette più fresche e interessanti del panorama italiano, la Hell Yeah Recordings! Tutti pensano sia inglese o tedesca, chi dice australiana, HELL YEAH, rispettatissima label della scena elettronica mondiale è 100% italiana e con base a Ferrara!

Hell Yeah nasce nel 2006 da una costola impazzita di Mantra Vibes (per anni label culto per la dance made in italy da esportazione) per volontà di marco"peeDoo"gallerani, la visione è un po’ prog, un po’ cazzona, un po’ contro corrente, riassumendo, tanto coraggiosa.

Hell Yeah non ha un sound definito, è un mix fra party music estrema e sonico star bene balearico, “expect the unexpected" riconosce il buon peeDoo: "non conosco la musica ma mi piace la techno, il breakbeat, l’ambient, il dub, ascolto rock e mi sto buttando sul jazz" vai dove ti porta l’Hell Yeah!

Artisti internazionali del calibro di Oliver Koletzki, Umek, Luca Baldini, Radio Slave, Dyno, Blatta & Inesha, Florian Meindl, Crimea X, Santos, Alex Smoke, Lindstrom & Prins Thoms, Luke Abbott, E-The-hot, Bjorn Torske, Margot e molti altri hanno il piacere di incidere per la label condividendone la libertà artistica.

Nel novembre 2010 Hell Yeah insieme ad Expanded Music riceve lo speciale Premio 2061 come miglior label italiana di sempre devota alla divulgazione della musica elettronica italiana di qualità nel mondo.

A rappresentare la label in questione saranno presenti:

Balearic Gabba Sound System (PeeDoo):

Marco "PeeDoo" Gallerani nasce artisticamente nei primi anni 90 al Link di Bologna come selezionatore di industrial, hardcore, primo drum'n'bass e successivamente quello che chiamavano Big Beat.

Gli studi di marketing unita alla passione per il djing lo portano a lavorare per 12 anni per una delle indipendenti italiane che hanno fatto la storia della dance made in Italy, l'Expanded Music di Bologna dove cura dapprima la promozione e la contrattualistica internazionale mentre dal 2000 in qualità di A&R di Mantra Vibes scopre e valorizza il talento di diversi artisti italiani quali Santos, Madox/Riva Starr, Mowgli, Dyno, Blatta & Inesha... Nel 2005 ha anticipato il revival nudisco con il progetto Confuzed Disco (una retrospettiva della Italian Records) e con la personale Mantra Breaks, nel 2007, vince il premio di miglior label breakbeat ai Breakspoll aprendo la strada alla successiva invasione italo-electro nel mondo.

Dal 2008 ha creato la sua società P Playground che oltre a curare il management di alcuni fra i più promettenti artisti elettronici italiani ed europei si occupa di Hell Yeah Recordings, label elettronica italiana di culto per il suo sano eclettismo a favore della club culture di qualità.

Selezionatore per i concorsi “Elettrowave” e “La Musica Elettronica Italiana nel 2061”, nel 2010 PeeDoo suona ancora vinile, preferibilmente per ore ed in situazioni intime, seleziona il meglio del suo repertorio attraverso il collettivo da lui fondato:  il Balearic Gabba Sound System, Balearic Gabba Sound System, un "non-sense dream team", composto da PeeDoo, Everest Parisi, Enzo Elia, E-the-Hot, Bjorn Torkse, Gallo e altri tipi strani accomunati dall'amore per i suoni puliti ma bizzarri e per le produzioni caratterizzate da un tocco di sana ingenuinità.

Balearic Gabba Sound System  rappresenta la seconda generazione dei cosiddetti "Balearic djs", cresciuti nei raves degli anni novanta e sopravvissuti alla rivoluzione digitale.

"Definire lo stile Balearico è come cercare di spiegare l'indefinito. Molti deejays possono essere ricondotti ad un particolare genere musicale, la musica balearica, invece, è un caleidoscopio di generi." (Jon Sa Trinxa)

INFO: www.hellyeahrec.com

SOUNDCLOUD: https://soundcloud.com/hell-yeah

Marco Dassi:

Nasce a Tradate, in provincia di Varese, il 7 Novembre del 1985. All'età di 13 anni si appassiona per la musica, prima come semplice ascoltatore e successivamente come produttore.

I primi generi che hanno accompagnato il percorso musicale di Marco sono la Trance e la Techno. Le sue prima produzioni hanno toccato appunto questi due generi. Marco, successivamente, trasla il suo genere verso una musica piu "calma"; si appassiona per l'House e cerca di mischiare nelle sue produzioni un po' di tutti questi tre generi che l'hanno portato a crescere musicalmente.

Nelle produzioni di Marco si notano melodie, hook house e groove techno, un ottimo mix. La prima produzione è stata stampata su vinile, tramite la label italiana DjRevenge, parte della Trance Communications Records, etichetta di Federico Franchi aka Zenith Dj.

Successivamente intraprende in gestione diverse etichette che lo portano a costruirsi un background di contatti che lo aiutano nel lancio di altri dischi. Altre produzioni di Marco le possiamo trovare su etichette come Minus, Hell Yeah, Traum Shallplatten, Trapez, Blufin, Mutekki, Italobusiness, Einmusika.

INFO: www.pplayground.com

SOUNDCLOUD: http://soundcloud.com/marco-dassi

[moodsup]

Reloved.

[moodsup]

Italian DJ and producer Marco Dassi is releasing his debut full-length album, First, Quake Me on Hell Yeah Recordings in september 2013. Having always experimented with a range of sounds and styles from hypnotic techno to melodic bass throughout his career, it is no surprise that this album marks another evolution for Dassi. A world away from the minimal techno and tight tech loops of his early releases, it’s a more personal and intimate affair that is layered up with plenty of genuine musicality. Far from a collection of banging bangers, First, Quake Me is a mature record that works on your head as much, if not more than, your heel. Across the 13 tracks the album peaks and troughs through blissful soundscapes, dancefloor focused grooves and moody ambient pieces as well as some disco nuggets and deep electronic delights. As such it’s a real listening experience from start to finish; and album that takes you somewhere away from here as well as providing plenty of propulsive moments for the club. Be A Light opens the album with a heavy kick drum and plenty of wiry, sinewy synth sounds that grow in stature and ease you into Dassi’s world. From there Les Petites Choses’ mines a laidback disco groove that is infused with plenty of musicality and frazzled hooks. Elsewhere the likes of Fleeting Glances suspends you in outer space as sci fi sonics drift by, swells of intergalactic energy build up and dissipate and huge, thudding kicks propel you along. Swedish Love; will no doubt be a standout single for many with its purposeful disco swagger and shiny, reflective analogue textures. Reloved proves Dassi does vocals as well as instrumentals as he infuses his melodically rich arrangements with muffled male motifs, whilst Acid Purple Weed is a deep house cum acid track that proves this Italian does infectious groove as well as cinematic ambiance. Closing on the downbeat, depraved sounding technoid slump of Confabulous, First, Quake Me is an album of true invention and originality. It stiches together a wide array of influences into a hugely absorbing tapestry of textural delights.

[beepsnboops]

[moodsup]

Italian DJ and producer Marco Dassi is releasing his debut full-length album, First, Quake Me on Hell Yeah Recordings in september 2013. Having always experimented with a range of sounds and styles from hypnotic techno to melodic bass throughout his career, it is no surprise that this album marks another evolution for Dassi. A world away from the minimal techno and tight tech loops of his early releases, it’s a more personal and intimate affair that is layered up with plenty of genuine musicality. Far from a collection of banging bangers, First, Quake Me is a mature record that works on your head as much, if not more than, your heel. Across the 13 tracks the album peaks and troughs through blissful soundscapes, dancefloor focused grooves and moody ambient pieces as well as some disco nuggets and deep electronic delights. As such it’s a real listening experience from start to finish; and album that takes you somewhere away from here as well as providing plenty of propulsive moments for the club. Be A Light opens the album with a heavy kick drum and plenty of wiry, sinewy synth sounds that grow in stature and ease you into Dassi’s world. From there Les Petites Choses’ mines a laidback disco groove that is infused with plenty of musicality and frazzled hooks. Elsewhere the likes of Fleeting Glances suspends you in outer space as sci fi sonics drift by, swells of intergalactic energy build up and dissipate and huge, thudding kicks propel you along. Swedish Love; will no doubt be a standout single for many with its purposeful disco swagger and shiny, reflective analogue textures. Reloved proves Dassi does vocals as well as instrumentals as he infuses his melodically rich arrangements with muffled male motifs, whilst Acid Purple Weed is a deep house cum acid track that proves this Italian does infectious groove as well as cinematic ambiance. Closing on the downbeat, depraved sounding technoid slump of Confabulous, First, Quake Me is an album of true invention and originality. It stiches together a wide array of influences into a hugely absorbing tapestry of textural delights.

[weareall1988]

An amazing song to complement that feeling. 

[moodsup]

Italian DJ and producer Marco Dassi is releasing his debut full-length album, First, Quake Me on Hell Yeah Recordings in september 2013. Having always experimented with a range of sounds and styles from hypnotic techno to melodic bass throughout his career, it is no surprise that this album marks another evolution for Dassi. A world away from the minimal techno and tight tech loops of his early releases, it’s a more personal and intimate affair that is layered up with plenty of genuine musicality. Far from a collection of banging bangers, First, Quake Me is a mature record that works on your head as much, if not more than, your heel. Across the 13 tracks the album peaks and troughs through blissful soundscapes, dancefloor focused grooves and moody ambient pieces as well as some disco nuggets and deep electronic delights. As such it’s a real listening experience from start to finish; and album that takes you somewhere away from here as well as providing plenty of propulsive moments for the club. Be A Light opens the album with a heavy kick drum and plenty of wiry, sinewy synth sounds that grow in stature and ease you into Dassi’s world. From there Les Petites Choses’ mines a laidback disco groove that is infused with plenty of musicality and frazzled hooks. Elsewhere the likes of Fleeting Glances suspends you in outer space as sci fi sonics drift by, swells of intergalactic energy build up and dissipate and huge, thudding kicks propel you along. Swedish Love; will no doubt be a standout single for many with its purposeful disco swagger and shiny, reflective analogue textures. Reloved proves Dassi does vocals as well as instrumentals as he infuses his melodically rich arrangements with muffled male motifs, whilst Acid Purple Weed is a deep house cum acid track that proves this Italian does infectious groove as well as cinematic ambiance. Closing on the downbeat, depraved sounding technoid slump of Confabulous, First, Quake Me is an album of true invention and originality. It stiches together a wide array of influences into a hugely absorbing tapestry of textural delights.

[moodsup]

Italian DJ and producer Marco Dassi is releasing his debut full-length album, First, Quake Me on Hell Yeah Recordings in september 2013. Having always experimented with a range of sounds and styles from hypnotic techno to melodic bass throughout his career, it is no surprise that this album marks another evolution for Dassi. A world away from the minimal techno and tight tech loops of his early releases, it’s a more personal and intimate affair that is layered up with plenty of genuine musicality. Far from a collection of banging bangers, First, Quake Me is a mature record that works on your head as much, if not more than, your heel. Across the 13 tracks the album peaks and troughs through blissful soundscapes, dancefloor focused grooves and moody ambient pieces as well as some disco nuggets and deep electronic delights. As such it’s a real listening experience from start to finish; and album that takes you somewhere away from here as well as providing plenty of propulsive moments for the club. Be A Light opens the album with a heavy kick drum and plenty of wiry, sinewy synth sounds that grow in stature and ease you into Dassi’s world. From there Les Petites Choses’ mines a laidback disco groove that is infused with plenty of musicality and frazzled hooks. Elsewhere the likes of Fleeting Glances suspends you in outer space as sci fi sonics drift by, swells of intergalactic energy build up and dissipate and huge, thudding kicks propel you along. Swedish Love; will no doubt be a standout single for many with its purposeful disco swagger and shiny, reflective analogue textures. Reloved proves Dassi does vocals as well as instrumentals as he infuses his melodically rich arrangements with muffled male motifs, whilst Acid Purple Weed is a deep house cum acid track that proves this Italian does infectious groove as well as cinematic ambiance. Closing on the downbeat, depraved sounding technoid slump of Confabulous, First, Quake Me is an album of true invention and originality. It stiches together a wide array of influences into a hugely absorbing tapestry of textural delights.