cambridge blessed with the presence of the legendary matt farley
today is a sort of half "new music" post, as i would like to regale you all with a post about the legend that is matt farley and the banger of a show he and his band of friends performed at the world-famous cantab lounge in cambridge, massachusetts on march 21st, 2025.
but will, you ask, who in the world is matt farley? you have heard of him whether you know it or not. he is the man who has written over 25,000 songs, mostly about poop, cities and towns, household items, names, and celebrities. he has also written many "no jokes" songs under band names such as moe's haven, caniko tucci, the big heist, and more. he has also written and directed incredible films such as don't let the riverbeast get you!, local legends, heard she got married, heard she got murdered, slingshot cops, and my personal favorite, monsters, marriage, and murder in manchvegas. he has also written a creativity guide called the motern method which has helped this stalwart writer immensely in recent times.
and so you would think, gee why haven't i heard of matt farley if he's done so much? well, because the world simply doesn't appreciate good art.
in any case, i had the great fortune to farley's show at the cantab. farley spent the pre-show talking with every patron at the bar as he is a man of the people. his band - made up of bassist chris "pete" peterson, guitarist tom scalzo, and drummer doug "froggy" brennan - got to work preparing diligently for the show while farley worked the crowd. (i got the chance to chat with farley a bit, and he informed me that i was in a few shots of his film local legends: bloodbath, which is of course the long-awaited sequel to 2013's local legends.)
anyway, the show began with a bang, as farley and band led the crowd in classics such as "poop into a wormhole", "my goldfish dead", and the moes haven hit "dig in!", as well as a rousing tribute to cambridge which quoted good will hunting, much to the delight of the fans including myself. many of farley's songs have been released under various names on spotify and other streaming services, but this has never deterred his allegiant followers (who, as farley insisted later on in the show, are NOT in a cult.)
perhaps you have seen videos of other very famous bands performing in major stadiums. u2 at the la coliseum on the joshua tree tour when they were dubbed the biggest band in the world. the rolling stones' voodoo lounge. queen at wembley. few four-piece bands these days hold a candle to those titans of yore. and yet farley in his gold jacket had all the star power of bono, mick jagger, and freddie mercury combined, dazzling the crowd with his antics and stories and getting them involved in the show, while the band behind him performed effortlessly with all the expert musicianship of artists who have worked the stage for years.
other songs farley and the band performed touched on the fallibility of the human mind ("i forgot what i was gonna say"), the power of blotting away mistakes and forgiveness ("the bleach song (i use bleach!)"), the constant and merciless passage of time ("used to be a pizza hut"), the forces acting upon this world without our knowledge ("the mothman song (believe in the power of the mothman!)"), and of course, a song about a pickle sandwich (appropriately titled "pickle sandwich".)
the crowd which packed the basement of the cantab remained high energy throughout the two-hour extravaganza of music. but the excitement for this show has been high since farley announced it months before. it was part of a three-night tour across new england (dubbed as farley and band's longest tour ever) with shows in portsmouth new hampshire, cambridge, and the mass college of art in boston. and those showing up to these performances are bringing their a-game, as they love farley's work and are not afraid to show it. i certainly was rocking out to "plow guy hit my garage" (the song that introduced me to farley's work.)
the show ended with rousing renditions of "it's ok to break the law if you have good intentions" and the regular live favorite "i'm in no kind of rush to go home." and after the final song the audience certainly was not rushing out the door; they stuck around to take pictures with farley and the band, peruse the stacked merch table filled with farley's albums, books, and films, and also chat with each other and make new friends. it truly was a night full of fun and friendship, beautiful art, and a celebration of creativity and life itself.
and selfishly, for this writer, it was a fantastic way to kick off a birthday weekend.
anyway, as always, matt farley is releasing new music as we speak. throughout the entirety of 2025, he is putting out a new "no jokes" release each month. so far each release has been under one of farley's different artist names. january's was matt motern manly man's what we wanna remember. february's was brennan mcfarley's february files, a collaboration with doug "froggy" brennan. and march's was caniko tucci's a genre of different wonders. it behooves you to go peruse each release and then the rest of matt farley's works immediately.
so that's all for this post, as i'm still recovering from rocking out so hard, frankly. sometimes i wonder how rockstars such as farley do it. the endurance and creative spirit of the true entertainers of this world know no bounds. goodbye for now