FLY US TO THE MOON, MEOUCH 🌙🦁

seen from Malaysia

seen from China
seen from Malaysia
seen from United States
seen from Australia
seen from Malaysia

seen from Greece
seen from Australia
seen from China

seen from United Kingdom
seen from Germany

seen from Singapore

seen from China

seen from United States
seen from Germany
seen from Germany
seen from China
seen from China
seen from China
seen from China
FLY US TO THE MOON, MEOUCH 🌙🦁
The Occultist (1988)
“Between 1986 and 1989, Tim Kincaid blessed the world with some awesome fucking trash. The man's work in that short era plays like a mix-tape of sleazy science fiction cliches and 80s b-movie tropes. Starting with Bad Girls Dormitory, a women in prison flick that flows through the normal fare like a checklist, and ending with a enjoyably odd ghost-revenge-comedy, She's Back (1989) with Carrie Fisher, Kincaid packed a 4 year period with some extremely satisfying cinematic junk food before disappearing from film for 10 years. He would later go on to have a lucrative, successful career under the name Joe Gage directing hardcore gay porn with a working class twist. I can't speak for his later stuff, but being familiar with his other work, I can almost guarantee it provides some quality cheese for someone. Plus- the idea of proletariat centered porn (or at least the version I have now formed in my head) is awesome. For some reason, I really enjoy the image I get of Tim Kincaid deciding to take a break from porn in the late 80s, slapping together some scripts and convincing a few companies (including Full Moon) to finance some of the most epitomized b-movies ever made. Then, just as tactfully as he enters, he gets bored and bounces out before the end of the decade, only to reemerge again as Joe Gage, blue collar smut director, 10 years later. It's got the workings of plucky allegory or story you tell a child before bed. Anyway, even with the his foray into trashy Sci-Fi/Action being pretty short, he left us a nice little pile of grimey tapes. His title Mutant Hunt (1987) was to be burned into my brain for years before I would actually see it, due to it's amazing box art alone and definitely could have been much more disappointing when I finally got a chance to view it. Each one of the flicks released during this time played off of different b-movie tropes already in existence, but with Kincaid’s pulpy style sprinkled in. Probably his most remembered would be Breeders (1986), a skin-tastic alien invasion flick which suffered a remake in ‘97, but almost all of the titles released found a audience being packed with as-advertised ridiculous plot and cornball action. A recent impromptu marathon of these films (at least the ones I have around the house) led to the realization that one title hasn't really received it's deserved love or at least notoriety, Kincaid's slight veer into detective noir, The Occultist (1988).”- RevTerry
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One of my top fave tracks from the band.