[id: a digitally drawn two-panel comic of ethan winters and joe baker crossing paths in the louisiana swamp. in the first panel, the audience looks over joe's shoulder, as he carries a crystalized zoe baker, to see a bloody, sweating ethan carrying an older eveline bridal style in his arms. ethan has an expression of frozen surprise on his face. the second panel depicts joe baker haphazardly loping zoe over his shoulder while ethan lets eveline's feet drop to the ground, both in order to produce a fist in which the other can bump.]
i did this a while ago, back when the first few chapters of @mayybirds's fantastic fic through the valley to life came out. i didn't finish it till now, with the most recent chapter necessitating its postage 👀 this isn't a canon scene, you could call this a conceptual fanart in the spirit of ttvtl. i seriously encourage any resident evil 7/8 fans to check it out the premise will knock your tits off
check out through the valley to life by @mayybirds
[start id:
a digitally drawn comic made up of ten panels, featuring an abstracted scene from the resident evil fanfic "through the valley to life" by @mayybirds, where ethan breaks through to eveline in chapters 3 and 4.
the first panel is entirely in black and white, featuring a dilapidated room, an upturned wheelchair in the background. the dark gray background turns to white further down the panel, where ethan and eveline stand off, eveline with her hands straight out and exuding black mold, while ethan's hand reaches up to cover his face, standing his ground.
the second image fades into an image of eveline hiding in a vent, with a pair of legs walking past it in search of her. the image fades into black mold.
the third image is a snapshot in time surrounded by dark mold. eveline is younger, with a capital 'E' pinned to her chest and an unknown scientist in a lab coat injecting a needle into her arm.
the fourth image is a snapshot in time surrounded by dark mold. it simply depicts a larger hand harshly gripping a smaller person's wrist, assumed to be eveline. this image is accented by a burst of red-tinged black mold.
the fifth image is a snapshot in time surrounded by dark mold. a hazy white light surrounds mia winters as she bandages the wrist of someone off-screen, assumed to be eveline. behind mia floats the annabelle tanker in the water.
the sixth image is a pitch black canvas with a textured red tinge at the bottom.
the seventh image depicts a large reaching hand in inverted black and white on a spill of textured red and black, obscuring half of a face outlined in white.
the eighth image depicts eveline outlined in white on a black background, her one visible eye wide in shock. the canvas fades to a red-tinged white. an inverted black and white portrayal of ethan hugging a person that is partly obscured.
the ninth image depicts a background of eveline's stick figures in white on a black background. in a starker white, a stick figure of a woman is on the far left while a stick figure of a man is on the far right. in the middle, a stick figure of a little girl. the image fades to white.
the tenth image depicts ethan hugging an old woman, eveline. they are both in black and white except for eveline's red scarf. they are surrounded by a burst of protective black mold.
