For much of late Antiquity, the 'mechanical arts' was seen as an activity beneath the attention of the learned. But this view on (what we would today call) technology changed by the late Middle Ages. One symptom of this was the positive correlation between technology and temperance, as exemplified by this sketch from the fifteenth century which shows a woman, representing Temperance, surrounded by technologies: she is sitting on a windmill, she has spurs on her feet, a bridle is in her mouth, she holds eyeglasses in her right hand, and there is a clock on top of her head. All of these juxtapositions would seem to suggest that mechanical instruments were seen as congruous with religious virtue or moderation. The accompanying text reads: "He who is mindful of the clock / Is punctual in all his acts... / He who puts glasses to his eyes / See better what's around him... / The mill which sustains our bodies / Never is immoderate."
Source: Allegory of Temperantia. From De quattuor vertutibus cardinalibus by Pseudo-Seneca. Dresden, Sachsische Landesbibliothek, Ms. Oc. 79, fol. 68 v. Deutsche Fotothek.