Uno Sceriffo Extraterrestre Poco Extra E Molto Terrestre, Michele Lupo, 1979

seen from United States
seen from United Kingdom

seen from United Kingdom

seen from China

seen from Russia

seen from United States
seen from China
seen from China
seen from India
seen from Ireland

seen from Russia
seen from United States
seen from China

seen from Czechia
seen from China
seen from China

seen from United States
seen from United Kingdom
seen from United States
seen from China
Uno Sceriffo Extraterrestre Poco Extra E Molto Terrestre, Michele Lupo, 1979
IT SEEMS LIKE A PERFECT ROBBERY
Never in the history of the great British police headquarters, the famous Scotland Yard, had its leaders found themselves so discredited in the face of a robbery. It was impossible to discover how the jewels of the Russian imperial family had been stolen; not a single trace of the criminals remained, and no one had the slightest idea how to begin the investigation.
THE THEME OF THE FILM
This is the thematic basis of the new film that the Locegu company unveiled to the Buenos Aires public at the Normandie cinema. Its name is clearly indicative of the violent action that takes place in the film: "Too Much to Live." In "Too Much to Live," the action unfolds at a pace that is at times as gripping as the plot itself. This is also aided by the entanglement that unfolds around the event, as members of two gangs, the police, and the secret insurance service simultaneously intertwine. The latter includes the most attractive woman in a film featuring more than fifty beautiful women, Daniela Bianchi. She is joined in the central couple by a mature, handsome man with effective expressive strength, who also doubles as a charming and sarcastic journalist playing the role of detective: Claudio Brook.
IMPORTANT CAST
Sidney Chaplin, the fascinating Tina Marquand, Yves Vincent, Steffania Careddu, Raymond Bussieres, and Jess Hahn make up the most important part of the cast. Directed by Michele Luppo, this is an Italian-French co-production shot in England in Technicolor and Techniscope.
Diario Cronica Buenos Aires, 15th July 1969.
Internet Archive
Close ups from the publicity of the film (left) and a photo showing the beautiful and fascinating Tina Marquand in the film "Too Much to Live" in which its plot its exciting.
Nello Pazzafini-Rosalba Neri "Arizona Colt" 1966, de Michele Lupo.
Bomber, German Lobby Card. 1982
“Ben and Charlie” AKA Amigo, Stay Away by Michele Lupo (1972) Marisa Mell and Giuliano Gemma in Western Leone (Tabernas desert) Almeria.
california, addio (it/sp, lupo 77)
Bomber
Pommittaja Bud / Bomber (1982) Nordic Video Ab, Oy https://www.videospace.fi/release/i61E8hHt 'Taas Bud Spencer- elokuva jossa riittää ruutia!Tunnetusti hyväsydämiseltä Bud Spenceriltä, nyrkkeilypiireissä lempinimeltään Pommittaja-Budilta, pyydetään pientä palvelusta.Vaikka Bud on ehdottomasti päättänyt vetäytyä kokonaan kehästä ja siirtyä hiljaiselolle, hän suostuu valmentamaan nuorta lupaavaa kykyä raskassarjan matsiin. Bud näkee tässä tilaisuuden iskeä kaksi kärpästä yhdellä iskulla: päästää ystävänsä pälkähästä ja maksaa vihamiehelleen ja vuosien takaiselle vastustajalleen vanhat kalavelat takaisin oikein korkojen kanssa.Ja kuten tulet näkemään, rämäpää Bud ei petä ystäviään nytkään vaan antaa "lekan" lentää ja karjujen kusahdella kanveesille vanhaan totuttuun tyyliinsä.'