#migration series

[arinewman7]

And People all over the South Began to Discuss this Great Movement

from Migration Series

Jacob Lawrence (1917–2000)

Casein tempera on hardboard, 1940-41

[kirbykendrick]

The Migration Series, panel no. 45: “The migrants arrived in Pittsburgh, one of the great industrial centers of the North” (1940-41), Jacob Lawrence

When he was just 23, Jacob Lawrence painted The Migration series, 60 small intimate, paintings done on wood board and with inexpensive tempera paint. Lawrence’s series was instantly recognized as a tour de force, a new American epic.

[totallyfuckd]

Jacob Lawrence, the ‘Migration’ series, 1941

A sequence of 60 paintings, depicts the mass movement of African Americans from the rural South to the urban North between World War I and World War II—a development that had received little previous public attention.

Lawrence spent months distilling the subject into captions and preliminary drawings and preparing 60 boards with the help of his wife, artist Gwendolyn Knight. He created the paintings in tempera, a water-base paint that dries rapidly. To keep the colors consistent, Lawrence applied one hue at a time to every painting where it was to appear, requiring him to plan all 60 paintings in detail at once.

The series was the subject of a solo show at the Downtown Gallery in Manhattan in 1941, making Lawrence one of the first black artists to be represented by a New York gallery. Interest in the series was intense. Ultimately, The Phillips Collection and New York's Museum of Modern Art agreed to divide it, with the Phillips buying the odd-numbered paintings.

Source

[taf-art]

49. They also found discrimination in the North although it was much different from that which they had known in the South (1941). Jacob Lawrence.

[seeselfblack]

In honor of Jacob Lawrence’s EarthDay, September 9th, I found Davidson Gallery’s wonderful catalogue of some of his work -- check it out at Davidson Gallery 

Jacob Lawrence, an African American artist and educator, was born September 9,1917. Lawrence was among the best-known 20th century African-American painters, a distinction he shared with Romare Bearden.

Lawrence was born in Atlantic City, NJ, and was 13 when he moved with his family to New York City. Lawrence was only in his 20s when his "Migration Series" made him nationally famous. The series depicted the epic Great Migration of African Americans from the rural South to the urban North in the 20th century.

Lawrence studied at the Harlem Art Workshop in New York City from 1934 to 1936, when he won a scholarship to the American Artists School in the same city. Lawrence was married to fellow artist Gwendolyn Knight.

Lawrence concentrated on depicting the history and struggles of African Americans. He is famous for his narrative series--dozens of paintings on a single historical figure or topic--generally portray people or periods important to black history, such as abolitionists John Brown and Frederick Douglass.

Jacob Lawrence's simplified graphic forms draw from a variety of artistic traditions, including expressionism and cubism. Lawrence referred to his style as "dynamic cubism," though by his own account the primary influence was not so much French art as the shapes and colors of Harlem.

Among his more famous works are The Harriet Tubman Series (30 panels) and The Great Migration Series (60 panels). Lawrence also illustrated a collection of Aesop's fables, produced posters for the 1972 Olympic Games, and wrote and illustrated Harriet and the Promised Land, a children's book of verse about Harriet Tubman.

He continued to paint until a few weeks before his death in June 2000 at the age of eighty-two. His last public work, the mosaic mural New York in Transit, was installed in October 2001 in the Times Square subway station in New York City. Lawrence was honored as an artist, teacher, and humanitarian when the NAACP awarded him the Spingarn Medal in 1970 for his outstanding achievements. In 1974 the Whitney Museum of American Art in New York held a major retrospective of his work, and in 1983, he was elected to the American Academy of Arts and Letters. In 1998, he received Washington State's highest honor, The Washington Medal of Merit. He was awarded the U.S. National Medal of the Arts in 1990. His work is in the permanent collections of numerous museums, including the Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum, and the Brooklyn Museum. In May 2007, the White House Historical Association (via the White House Acquisition Trust) purchased Lawrence's The Builders (1947) for $2.5 million at auction. The painting now hangs in the White House Green Room.

When Lawrence died on June 9, 2000, the New York Times called him "one of America's leading modern figurative painters" and "among the most impassioned visual chroniclers of the African American experience.

Via African American Registry 

Also see: 

- The Migration Series 

- the New Yorker Magazine -- Telling the Whole Story Jacob Lawrence’s “The Migration Series.”

[chiillone]

“The Migration Series” Panel 49 By Jacob Lawrence

[taf-art]

37. The Negroes that had been brought North worked in large numbers in one of the principal industries, which was steel (1940). Jacob Lawrence.

[taf-art]

22.  Another of the social causes of the migrants’ leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation. (1941). Jacob Lawrence.