Philip-Lorca diCorcia, W, March 2000, #12 (From Cuba Libre), 2000
Fujicolor crystal archive print, mounted to plexiglas,
47 5/8 by 59 5/8 in. (121 by 151.4 cm.)
seen from United States
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seen from United States

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seen from United States
seen from Japan
seen from United States
Philip-Lorca diCorcia, W, March 2000, #12 (From Cuba Libre), 2000
Fujicolor crystal archive print, mounted to plexiglas,
47 5/8 by 59 5/8 in. (121 by 151.4 cm.)
╍┅┉┈ Ca r n a g e
Sherlock Holmes: A Game of Shadows (2011) dir. Guy Richie
Suspiria (2018) dir. Luca Guadadigno
Part of the cult appeal of Twin Peaks is in the way it encourages its viewers to look for clues and to participate in the detective process, which gives rise to endless speculation. It is the original water-cooler television. Clothes are no exception to this process. Why does the character of Audrey Horne change from sensible black and white saddle shoes to red kitten heels when she gets to school? The obvious answer is out of adolescent rebellion. However, the repeated close-ups on the shoes throughout the pilot episode draw attention to them and encourage the viewer to speculate on their meaning.
Week #3: Mise-en-Scene: Edward Scissorhands
I’m really happy with the mise-en-scène in this frame. I feel like it tells you everything you need to know about Wendy’s character.
Daily Song Recommendation #148