Son, if you’re going to risk your love, save all the space you can for hurt.
Mitchell S. Jackson, “The Residue Years.”

seen from Malaysia

seen from Saudi Arabia
seen from United States
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seen from United States
seen from United States
seen from United States

seen from Malaysia
seen from Hong Kong SAR China
seen from United States

seen from United States
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seen from United States

seen from United States

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seen from United States
seen from Spain
Son, if you’re going to risk your love, save all the space you can for hurt.
Mitchell S. Jackson, “The Residue Years.”
Here’s my wish—let the world see me now, a conqueror, high above my sorrows, a flagpole pushed through the pile.
Mitchell S. Jackson, “The Residue Years”
[D]amn near everywhere we go, my girl’s the girl, that dark skin, eyes always one color and then another, legs you could climb to heights. I love, love it. Love being out with her. No lie, when we’re out my nuts swell up from seeing (as long as that shit don’t approach disrespect) mortal n*****s awed.
The DJ calls couple skate and plays a slow jam. Here comes Kim gliding off the floor, her hair floating behind her. Babe, come, she says, reaching out. Get up, will you.
Now? I say.
Yes! she says, and tugs me off the bench and onto the floor. We catch each other hand in tender hand and lock a tandem stride for laps. The DJ mixes one slow song into the next. The chick I hit rides by snickering with her bright-clothed crew. Superskate flies by in a backwards scrawl and nudges me into a stumble. My girl grips me tight, keeps me steady.
Look at us, she says.
Right, I say. Look.”
Mitchell S. Jackson, “The Residue Years.”
What Jesmyn Ward is giving.