Rahel, 2020. Series Safe Space. Mixed media on cotton canvas, 41 x 33 cm. This painting will be exhibited at MK Gallery in the United Kingdom, opening February 14th 2020.
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Rahel, 2020. Series Safe Space. Mixed media on cotton canvas, 41 x 33 cm. This painting will be exhibited at MK Gallery in the United Kingdom, opening February 14th 2020.
6A Architects, MK Gallery, Milton Keynes, 2019
www.6a.co.uk/
Carbon Slowly Turning: Movement, Energy, Landscape Conference
MK Gallery, 900 Midsummer Blvd, Milton Keynes, MK9 3QA
6 May 2022
10am - 6pm
On the occasion of the Ingrid Pollard: Carbon Slowly Turning exhibition, MK Gallery and the Paul Mellon Centre for British Art are collaborating on their third conference.
The conference is imagined as a conversation with the exhibition, using the exhibition as a point of departure. At times, Pollard’s work will be directly referenced and, at others, ideas and strands of dialogue will emerge and escape from it. We are interested in thinking about movement, and the connections between the histories of art, energy, body cultures, landscape, geology, physiological aesthetics both historically and in the present. The movement of the body in space and through time has preoccupied Pollard across her career, whether she is working with photography, kinetic sculpture or ceramics. Bodies, both real and metaphorical, are perpetually set in motion – twisting, turning, bowing, walking, dancing, sweating, punching – engaging with ideas and questions about ecology, temporality, race and gender as they move across the landscape.
Speakers include: Evan Ifekoya, Richard Hylton, Gilane Tawadros, Liz Wells, Ella S. Mills, Cora Gilroy- Ware, Sheena Calvert, Ajamu X, Jackie Kay and Ingrid Pollard.
Book your ticket here
The conference is also available to attend online
Image: Ingrid Pollard
Ingrid Pollard: Carbon Slowly Turning
MK Gallery
900 Midsummer Blvd Milton Keynes MK9 3QA
12 March - 29 May 2022
FREE Tuesday – Sunday, 10am – 5pm
Curated by Gilane Tawadros, with the artist
Ingrid Pollard (born Georgetown, Guyana) is one of the leading figures in contemporary British art. This first major survey of her 40-year career includes delicately hand-tinted landscape photographs, a flotilla of small ceramic boats and a cast of protagonists that includes boxers, musicians, tango dancers and writers. The exhibition also includes two new works – a film that meditates on the human body as it moves through space and time, and a triptych of monumental, dynamic sculptures that reference our shared history of power relations and resurgence.
Book your free tickets here
Image: Ingrid Pollard, Self Evident 1995 (detail), © courtesy the artist
The fifth recipient of the annual £100,000 Freelands Award is MK Gallery who will host a solo exhibition by artist Ingrid Pollard !! Congratulations MK Gallery and Ingrid Pollard!
The Freelands Award will enable MK Gallery to stage the first exhibition to span Pollard’s practice, which explores different perspectives on the human figure, as it passes through landscape, history and printed material, using photography, film, collage, sculpture and installation.
This announcement comes alongside the Foundation’s fifth research report into the ‘Representation of Female Artists in Britain’which shows a steady decline in the number of solo exhibitions by female artists in public galleries outside London over the last three years. Written by Dr Kate McMillan, the report includes essays by art historian and writer Jennifer Higgie on women in art history and art critic and writer Hettie Judah on art and motherhood.
Freelands Foundation website
image: Untitled from Seventeen of Sixty-eight, 2019. C-print. Ingrid Pollard.
How arthritis changed Jan's approach to her art
How arthritis changed Jan’s approach to her art
Jan Harrington was an exhibiting artist working in pen and ink before arthritis made creating art increasingly difficult.
It was while she was studying Fine Art at University of Northampton that she hit upon the answer – working with tape.
Now Jan, who graduated in July, has been nominated for a graduate award by MK Gallery where she has an exhbition in November.
“I’d been creating…
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How arthritis changed Jan's approach to her art
How arthritis changed Jan’s approach to her art
Jan Harrington was an exhibiting artist working in pen and ink before arthritis made creating art increasingly difficult.
It was while she was studying Fine Art at University of Northampton that she hit upon the answer – working with tape.
Now Jan, who graduated in July, has been nominated for a graduate award by MK Gallery where she has an exhbition in November.
“I’d been creating…
View On WordPress
The Lie of the Land
16 March – 26 May 2019
MK Gallery 900 Midsummer Blvd Milton Keynes MK9 3QA
FREE
Through a playful and provocative display The Lie of the Land charts how British landscape was radically transformed by changes in free time and leisure activities since hunting and shooting, the recreations of the aristocracy, were enjoyed on the rolling hills of their private estates. In part, tracing a line between Capability Brown’s aristocratic gardens at Stowe and the social, urban experiment at neighbouring Milton Keynes, the exhibition teases out the aspirations that underpin our built environments.
Artists and designers include: Edward Alcock, David Alesworth, Jeremy Deller, Elisabeth Frink, William Powell Frith, Richard Buckminster Fuller, Thomas Gainsborough, Emma Hart, Lawrence Lek, Paul Nash, Marianne North, Eduardo Paolozzi, Joseph Paxton, Olivia Plender, Ingrid Pollard, John Ruskin, Benton Seeley, Yinka Shonibare MBE, David Shrigley, Joseph Mallord William Turner, Rachel Whiteread and many more.
MK Gallery website
image: Ingrid Pollard The cost of the English Landscape (detail) 1989 © Ingrid Pollard