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James Lavelle & DJ Krush
(Shadow's Legitimate Mix by Zimbabwe Legit)
This is the DJ Shadow remix that led to him being signed by Mo'Wax, which then resulted in him having the freedom and support to create his ground-breaking debut, Endtroducing.
James Lavelle said, "I was DJing in New York and LA and would go around US record companies picking up unreleased vinyl hip-hop promos. Doin’ Damage in My Native Language, by African Zimbabwe hip-hop act Zimbabwe Legit, wasn’t very good. But on the B-side there was this new mix by this DJ I hadn’t heard of before – DJ Shadow – called Shadow’s Legitimate Mix, full of scratching and samples. It was beautiful and unusual, even though it had little to do with the original, and I started playing it in my DJ sets. I got a friend from Tommy Boy Records to introduce me to Shadow. We spoke for hours on the phone about British hip-hop and the NME. I was 19 and had grown up in Oxford; he was 21 and had grown up in Davis, California. We both felt like we’d come from suburbia, outside the main cities. I said: “Would you be interested in making a record for Mo’Wax, my label? Don’t worry about choruses and verses, just push your sound further into that world.”"
Mo’Wax site 1997/1998
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MELTDOWN FESTIVAL 2014 RECORDING INSIGHT WITH DJ SHADOW