Ito Hideaki | Baragaki: Unbroken Samurai “Moeyo Ken” (2021)
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Ito Hideaki | Baragaki: Unbroken Samurai “Moeyo Ken” (2021)
Oh, how masculinities change through times and target audiences...
Historical Hijikata & Kondō VS Moeyo Ken (1966) VS Hakuōki (2008--)
Furthermore, there seems to be a general consensus that Hijikata had/must have a deep voice which can lead to Hijikata-actors adjusting their voices in ways that look and sound unnatural...
Example: Kurizuka Asahi in Moeyo Ken (1966) & Nakamura Yuichi in Hakuōki: Sweet School Life (2015)
Moeyo Ken (1966) is the adaptation of the book of the same name which was mentioned in an academic paper that compared the book to Gintama. I uploaded an extract of the paper here.
You can watch the movie for free (with English subtitles) on archive.org.
(This topic about masculinities and representation of historical figures through time and target audience might be something for you @scarletfantasia.)
“Romanticising Shinsengumi in Contemporary Japan“ by Rosa Lee Published January 2011 in New Voices, Volume 4, The Japan Foundation, Sydney
Abstract:
Shinsengumi, a group of young men recruited by the Bakufu to protect Kyoto from radical Imperial House loyalists in the tumultuous Bakumatsu period, is romanticised and idolised in Japan despite its limited place in history. This article attempts to comprehend this phenomenon by locating the closest crystallisation of popularly imagined Shinsengumi in Moeyo ken, a popular historical fiction by Shiba Ryōtarō. Antonio Gramsci explains readers are attracted to popular literature because it reflects their ‘philosophies of the age’, which may be discovered by examining popular heroes with their subsequent replications.
This article will identify why Shinsengumi is appealing by comparing Shiba’s hero in Moeyo ken with its twenty-first century reincarnation in Gintama, a popular manga series, and by discerning reader response to Moeyo ken from customer reviews on Amazon.co.jp. It will be demonstrated from these studies that a likely reason for the Japanese public’s romanticisation of Shinsengumi in recent years could be their attraction to autonomous, self-determining heroes who also appreciate the value of community.
While the abstract talks about the appeal of the Shinsengumi, the bulk of the article is about the appeal of Hijikata, specifically his fictional portrayals in Moeyo ken and Gintama, and reasons that readers are drawn to his drive and self-determination.
Until the end, Hijikata Toshizō in Moeyo ken is driven by a personal determination to actualise his talent in fighting through Shinsengumi. Similarly, the life of Gintama’s Hijikata Tōshirō, the twenty-first century reincarnation of Shiba’s Toshizō, is driven by his determination to protect Shinsengumi. The reasons for their attachment to Shinsengumi differs slightly as Toshizō is concerned more with self-actualisation as Shinsengumi in contrast to Tōshirō, who identifies Shinsengumi as his sanctuary. However, both characters share a common attribute; their determinations are unswayed by any external influences such as changes in the political climate or in their personal circumstances.
An interesting read, and not just because it examines Gintama and the Shinsengumi Crisis Arc with all the academic seriousness it deserves.
Yamada Ryōsuke as Okita Sōji in Baragaki: Unbroken Samurai (Moeyo Ken 2021)
Shinsengumi Manga
I’ve shared this with @shinsengumi-archives for their reference and possible translation, but I also wanted to share this with the rest of this little community. I’ve got a fair amount of Shinsengumi manga that has been almost entirely untranslated (with a few exceptions of limited chapters). I also have all of PEACE MAKER鐵, but that’s being translated by the lovely @pmkscanlations, so I’ve not gathered that here.
By number, listed here with name, transliteration and/or accepted translation, and author, as well as any basic information I have on the book/series. I’ve also included Amazon links for more context.
Shukan Asahi: Okada x Yamada Special Talk
Source: https://dot.asahi.com/amp/wa/2021100100014.html?__twitter_impression=true
(Rough translation - I paraphrased a little bit. Please let me know if anything is wrong. I also skipped the intro, which didn’t add much info.)
Okada-san played the “Demon Hijikata”. What kind of presence was Okita Souji?
Okada: Okita was very much a genius, so normal people could not understand what he was thinking. However, Hijikata and Okita acknowledged each other, so Okita did not feel scared when Hijikata got angry. Okita was played by Yamada-kun, so it was easy for me to do. He is reliable as an actor, so when the director told me “I am thinking about having Yamada-kun play Okita”, I thought that was great.
Where do you place the most trust in him?
Okada: Since I know the human body pretty well, he asked me “What is the best way to slim down?”, I said “Dehydration”, which was the toughest method (laughs). Then he actually did it, which I thought was impressive. He lost around 8kg of weight.
Yamada: I didn’t even know the word dehydration [at that time].
Okada: It is a method used by bodybuilders, first you take in a lot of water, then suddenly stop and the water will disappear from your body*. Since the blood becomes thick, it is not good [for the body]. In addition, Yamada-kun was not eating to [further] lose weight, so he did both methods…
[* In the Esse interview, Yamada said he stopped drinking water 3 days before the death scene. He also went to the sauna at the hotel, and as expected, he fell down. I know he is playing a dying character, but did he have to go that extreme?]
Yamada: You told me that potassium can also reduce the water in the body, so I took it as well. I did all the things I learned. However, it was really like hell.
Okada: You only ate chocolate?
Yamada: Almonds.
Okada: Ah, I did say nuts are good. You were rolling your tongue and eating little by little like a squirrel.
Yamada: One time, at around 3am, I had excruciating pains in my stomach, so I went to the hospital. They didn’t find anything wrong but I guess that was the price to pay. But I felt good about that too. It was like the character was starting to come alive.
Okada: Normally, if you don’t eat, you start to feel heartsick and lose your will. However, even though Yamada-kun had such a hard shooting schedule, you never lost the will to play the role and I thought you endured a lot. Although we meant to shoot the scenes where you were the thinnest at the end, the schedule [didn’t allow for it].
Yamada: When I filmed the scene just before my death, I also had to film [another scene] where I was healthy on the same day. I wanted my face to look fuller, so I ate a lot. I was trying to gain back the 8kg I lost within 1 week, so I ate about 5-6kg of rice every day. Although my body felt very heavy, I enjoyed [the experience]. I don’t hate being forced into a corner.
Okada: When you were rail thin, you never said a single thing in frustration…
Yamada: I couldn’t possibly show that sort of thing at the place where Okada-san was the center (laughs)! But I never thought about saying stuff like “This bastard”. I thought I would just grin and bear it.
Okada: There’s not much more I can say about Yamada-kun’s skill as an actor. The one thing I would add is that his earnestness towards the role was very amazing. That’s his personality & character.
Other than the body, what advice did you get from Okada-san?
Yamada: I was watching Okada-san to a somewhat disturbing extent. I was really trying to learn about each thing. For example, Okada-san can peek at the camera lens and know the angle of view. Isn’t that weird? (laughs)
Okada: I did ask you, like “Do you know the angle of view?”
Yamada: I was like “Angle of view?!” I thought I didn’t study enough. You told me everything you thought I would not understand and I am very grateful for that.
Yamada-san, what is Okada-san to you?
Yamada: He’s absolutely larger than life. I worship him not as a senpai. Although I’m the type who thinks that I can do whatever others can do because they’re also human like me, I cannot copy Okada-san. Like after he finished filming, he would just sleep a little and head to the gym*; although it sounds kinda bad, he’s like a monster. Really (laughs).I wonder if I will ever reach this level even after many years.
[* He just told the story on Ariyoshi x Monster - They finished filming at 2am & had to reconvene at 5:30am. In 3.5 hours, Okada managed to sleep and go to the gym and that’s why Yamada thought he was inhuman.]
What was the atmosphere on the film set?
Okada: It was an old world where angry roars were flying around. I think it was probably different from what Yamada-kun experienced before..
Yamada: If the young people of today were to jump into this, they may lose heart. You need to really hate to lose and really be motivated to live in this world.
[T/N: I’m a bit confused as to whether they’re talking about the actual film set or the Shinsengumi times. I guess maybe the Shinsengumi atmosphere bled into the set? Sounds a bit horrifying but it is a testosterone filled film. 😅]
How would you link the unity of Shinsengumi to your “Group Bond”?
Okada: If you bring in the really strict rules that Shinsengumi implemented to the group, like whoever broke the rules would have to commit seppuku*, it will collapse.
[* Seppuku is the act of ritual suicide where the person cut across the stomach with a sword. For Shinsengumi, people could be executed by beheading or allowed to commit seppuku. Basically seppuku is the honorable way to die.]
Yamada: You’re not wrong (laughs).
Okada: Shinsengumi was a strong and unusual group. It only lasted 6 years, that’s why it was beautiful and powerful. For those of us in V6, we are made up of gentle people who all wanted to do this together for a long time rather than aim to be the bright light. How long has Hey!Say!JUMP been around?
Yamada: Next year will be our 15th anniversary.
Okada: From now on, I think it will be interesting for Hey!Say!JUMP, King & Prince, SixTONES, and Snow Man. You’re going to fight for the national idol throne. We were wondering and looking forward to find out “Who will take it!”
Yamada: We are race horses (laughs).
Okada: That’s right. These 4 groups know what their situation is like, and I think you have discussed this amongst your groups. Although it is tough, it is probably fun to be creative. What is JUMP doing?
Yamada: Recently, we are starting to find our niche individually. However, I think our rule is to try and bring something from those places back to JUMP. For example, I’m a part of “Moeyo Ken”, so people may say “Yamada Ryosuke, who played Okita Souji, is part of the group called ‘Hey!Say!JUMP’”, and that brings the topic back to the group. As for the “National Idol” throne, whether we can win will depend on how much power we can each bring by following that rule of JUMP’s.
•┈┈• ✦【MOEYO KEN】✧ •┈┈•
A little moment of Souji teasing Hijikata in the Moeyo Ken trailer. Not PMK, but still Shinsengumi related. The movie is set to be released in October 15 in Japan.
@akumanoken