Oct 23, 2018
Excited to be talking with David O’Reilly on 26 Oct in Hamburg Planetarium about his work including this amazing game/experience. Details here.
seen from United Kingdom
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seen from Chile
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seen from United States
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seen from United States
Excited to be talking with David O’Reilly on 26 Oct in Hamburg Planetarium about his work including this amazing game/experience. Details here.
Composer Stephen Montague came in to deliver a seminar, in advance of his 70th birthday celebration, which IED students created visuals for. He described music as graphic design, with notation as storytelling, and told how he takes audiences on an experience, giving them some wrong turns along the way.
Image: Stephen Montague
XPLD exhibition & Block9 by @RCAIED Exploded Screen students
Meta-Morphosis (After the Rapture) by @RCAIED #movingimagedesign student Emily Cole. Further info here.
Old North, Isle Rocks by @RCAIED #movingimagedesign student Olivia Sullivan is a retrospective narrative based on psychogeographic connections to Cumbria, Northern England. She aims to shift the way graphic narratives are presented, to challenge sequence and traditional forms of comics and animation. Further info here.
Photos by Kevin Walker, Carl Bigmore
How it Used to Be is a film by Louis Schreyer questioning contemporary narratives of freedom and progress, in order to reframe the present through the lens of a peaceful, post-capitalist future. The film is based on the island of Hormuz in the Persian Gulf—a site of geopolitical importance and a metaphor for the conjunction of war and fossil fuels in contrast to the beauty of nature. Further info here.
Film still by Louis Schreyer Installation view by Carl Bigmore
@RCAIED Show preview. Here work of Katharina Weinen, Emilie Alstrup, Sara Stanton, Makiko Takashima; sound from Emily Cole, Derck Littel. Westworks, White City Place through 1 July, Noon to 6.
Yokai are a traditional Japanese cultural form through which everyday fears are represented as monstrous creatures. These fears are diminished both by the act of representation, and the sharing of this representation in the community.
Makiko Takashima has modernized Yokai, making an inflatable Yokai costume that represents womens’ contemporary fears. The costume forms the basis for a performance. Compared to traditional two-dimensional representations, this is intended to bring Yokai to life, and amplify their psychological impact.
Experience it in the RCA School of Communication Show in White City 23 June-1 July.
Image 1: Makiko Takashima Installation view: Carl Bigmore