Pain, Hurt and Come Along with Me
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Pain, Hurt and Come Along with Me
There’s something about contemporary French female pop musicians, they’re in a ‘fuck you’ class of their own, creating intelligent, innovative and often physically visceral music. Following in Camille’s footsteps, there’s Héloïse Létissier, performing as Christine and the Queens, and Jehnny Beth, previously the lead singer for Savages, who released her solo debut earlier this year. And my current new fave, Marie Davidson, who is Canadian, but French-Canadian at least. There ends my TED talk on French female musicians. Let’s focus on this 2008 album from Camille. Its title, Music Hole, refers to her mouth and presumably other parts of her body with which she uses to make music. She is a remarkable vocalist, with a wide range, and innovative use of a capella, beat-boxing and a whole zoo’s worth of animal noises. That might sound too self-consciously ‘alternative’ and unlistenable, but what makes this album so good, are her lyrics and innate sense of fun. She clearly doesn’t take herself too seriously and most tracks are upbeat with surprising twists and turns – such as her piss-take on Mariah Carey on the Money Note, or the song Cats and Dogs which is literally about cats and dogs. Almost all the songs are sung in English, compared to her first two solo albums in French. And whereas Camille doesn’t have the profile of an artist like Björk, whose a capella album Medúlla this has been likened to, Music Hole was her breakout release outside France. She’s a very different artist to Björk though and her singing and the arrangements are much more organic, earthy somehow, it relates very acutely to her performances. An experience I’d liken to Pina Bausch’s choreography to The Rite of Spring. As with the Bausch at Sadlers Wells, I was fortunate to see Camille give an amazing performance at the Barbican in 2012 after the release of her subsequent album Ilo Veyou. #camille #musichole #homeiswhereithurts #gospelwithnolord #acapella #frenchmusician #femalesingers #nowlistening #recordcollection #randomrecordreview https://www.instagram.com/p/CF9kmbHJA0_/?igshid=12p7hfr2ny2q3
🇧🇪 “Gamin‼️Gamin‼️Allez viens! C’était pour le tri gamin‼️” Tel est le remix que nous propose @i.n.t.r.a.d.e.l pour encourager les gens à trier leurs déchets en utilisant des phrases cultes de la comédie francophone belge, j’adore! 😍 Beaux moment au Festival International du Film de la Comédie francophone où j’ai eu le plaisir de visionner #MusicHole en avant première, un mélange entre Dikkenek et C’est Arrivé près de Chez Vous. A voir dans les sales au début 2020. 🌟 Bonne ambi quoi 🥳 Tout ça car j’ai été voir mon ami Cassart à Liège! 🇺🇸 "Gamin! Gamin! Allé viens! C’était pour le tri gamin!” This is the remix that proposes @ i.n.t.r.a.e.d.e.l to encourage people to sort their waste using famous phrases of the Belgian francophone comedy, I love it! 😍 Beautiful moment at the International Film Festival of the French Comedy where I had the pleasure of viewing #MusicHole in preview, a mix between Dikkenek and “C’est arrivé près de chez vous.” To be released at the beginning of 2020. 🌟 There is so much talent in the French comedy I wish everyone understood 🥳 but who knows someday you speak French too? 😁 (at Festival International du Film de Comédie de Liège) https://www.instagram.com/p/B4puqy7HfAw/?igshid=az9fgo4aagpn
Writing Prompt
[WP] The gods decided you had to learn a lesson. They cursed you to relive the same day over and over again until you do. That was a thousand years ago, and you're pretty sure you can milk another millennium of immortality, free time, and zero consequences out of this if you play your cards right. | | Want to submit a writing or a prompt? Read the rules here