When I fight, I fight for real, and I’m not giving you a half-assed attempt.
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When I fight, I fight for real, and I’m not giving you a half-assed attempt.
@mythitics replied to your post: @embellishedbookworm replied to your post: ...
as a troll well used to referencing other quadrants even though i havent been on alternia in centuries and i dont actually remember most of my time there i also concur that this sentence doesnt make sense
my only guess is that hes spadeways with the days of the week monday through saturday
@mythitics replied to your post: coin-flipped: @mythitics replied to your post: ...
but how would it be a betrayal to say that rather than just not being a very rivalrous kismesis
i don’t know, it just kind of sounded right?
but like, i’m a human winging it in a quadrant i didn’t grow up with. sometimes i’m amazed she wants me like that, tbh.
Mythical Knight - Hera
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A little doodle of Persephone from Lore Olympus!! I'm so in love with this comic 😍
mythitics replied to your post “Better starts a new posts so Dave doesn’t get crowded.(Hello...” @mythitics
probably so! are you the very large blanket pile i saw once
I’d say probablities are high. I try to avoid getting in your way, you and Dave.
(I’m already taking over his appartment, no need to push into his love life as well) (I swear I’ll leave as soon as I find a new place)
mythitics started following you
Greetings and welcome. :o)
The Enigma by Gustave Doré
For Gustave Doré, born in Strasbourg, France's defeat by Prussia in 1870, and the consequential loss of Alsace-Lorraine, was a great source of distress. Just after the end of the war he produced three monumental works: The Enigma, The Black Eagle of Prussia and The Defence of Paris, all in shades of grey and presented under the general title of Souvenirs of 1870, when the contents of the artist's studio were sold posthumously in 1884. Of these three paintings, The Enigma is undeniably the most tragic. At the top of a hill, strewn with bodies, there stands a sphinx, a mythical monster with the body of a lion and the head of a human. In the distance, plumes of smoke rise up from a Paris set ablaze by enemy cannon. Under the dark sky, a winged woman, perhaps the embodiment of France seems to be asking the sphinx for answers. The sphinx appears to be compassionate, closer to the sphinx of Egyptian religion, guardian of the underworld, rather than the monster Oedipus came across in Greek mythology.