Apr 10, 2017
some screenshots of the open frameworks classification sketch
WE WERE SURVEILLING OUR FINAL CRITIQUE VIA THE CRYSTAL BALL WEBCAM HAHAHA SRY GUYZ
seen from South Africa
seen from United States
seen from South Africa
seen from South Africa
seen from United States
seen from South Africa
seen from Tunisia
seen from China
seen from South Africa
seen from Poland
seen from Sri Lanka
seen from China
seen from Malaysia
seen from South Africa
seen from Malaysia
seen from Malaysia
seen from United States
seen from Iraq
seen from China
seen from China
some screenshots of the open frameworks classification sketch
WE WERE SURVEILLING OUR FINAL CRITIQUE VIA THE CRYSTAL BALL WEBCAM HAHAHA SRY GUYZ
NETWORKED COLLUDING asks, what could AI NOIR as a genre look like? Here, the BROOM caught in situ with its user sweeping secrets under the rug...
nicci and i spent a significant amount of time refining the visual language for understanding the implications of our design fiction NETWORKED COLLUDING. above, one of the two drawings presented on the day of the final critique. the main questions we asked while drawing:
- HOW CAN COMPUTATION BECOME THE URBAN FABRIC?
- WHAT INFORMATION IS “PASSABLE” FROM ONE DEVICE TO ANOTHER?
- WHAT DOES A FRAGMENTED, SPRAWLING NEIGHBORHOOD LOOK LIKE WITH COMPUTATION RUNNING THE GAMUT?
NETWORKED COLLUDING asks, what could AI NOIR as a genre look like? Here, the “Crystal Ball Webcam” CAUGHT in situ.
really like this photo from the final critique of NETWORKED COLLUDING ((a design research investigation done with my partner in crime, nicci.))
some silly collages that actually helped A LOT in shaping the visual language of NETWORKED COLLUDING < a design research investigation done w/ nicci :) >