Wiesław Szamborski — Meat (acrylic on canvas, 1980)
seen from China
seen from United States

seen from Dominican Republic
seen from United States
seen from United States
seen from China
seen from Kazakhstan

seen from Singapore

seen from Singapore
seen from Netherlands
seen from United States
seen from China

seen from Malaysia
seen from Netherlands
seen from Pakistan

seen from United States
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seen from Ukraine

seen from Ukraine
Wiesław Szamborski — Meat (acrylic on canvas, 1980)
Teresa Pągowska, "Biały Grubasek," 2002.
Girl with a Fetus
Paula Rego, Portugal, 2005
Original Title: Moça com um feto
Museum: Marlborough Gallery, New York (United States)
Technique: Pastel (120 x 110 cm.)
Paula Rego (1935–2022) was one of the most important and influential artists in the international art scene of recent decades.
Obscenely figurative, her painting is full of narratives where the absolute protagonist is woman, an inhabitant of sordid and hostile universes, strangely familiar even to women who haven't suffered severe trauma.
Rego's paintings speak of family, childhood memories, abortion, and generally the struggle of women in a society that seems unwilling to abandon its aversion to the feminine.
In this particular work, Rego portrays (perhaps self-portrays, or portrays us) as a reflection of social hypocrisy regarding abortion.
The woman rests after the harsh experience of an abortion, and her dead child, still with the umbilical cord protruding from its body, lies in a dirty, clandestine sink. Curtains conceal the scene.
In her numerous works on the subject, Rego depicts women alone, tired, in silence... in barely sketched interiors that are far from a clean, sterilized clinic.
Paula Rego was one of the most lucid, combative, and interesting artistic voices in the meager current art production. Her art was unaffected by trends, universal (though very Portuguese), and representative of a female gender she aimed to portray, painting by painting, throughout her entire career.
Yvan Theys
Untitled (The green man). 1969, oil on canvas, 160 x 130 cm
Cheyenne Julien
The park closes at dusk, 2018
52x 60 in.
Adriena Šimotová - Tvář (1986)
Rudolf Němec (1936-2015) — An Autopsy [oil on canvas, 1967]