NRBQ - I Say Gooday Goodnite (1969)
Written by original guitarist Steve Ferguson, this brief power pop gem did not get released until 1993. Bassist Joey Spampinato remembered it and recorded with the Spampinato Brothers in 2011.

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NRBQ - I Say Gooday Goodnite (1969)
Written by original guitarist Steve Ferguson, this brief power pop gem did not get released until 1993. Bassist Joey Spampinato remembered it and recorded with the Spampinato Brothers in 2011.
Just Coastin' - Carl Perkins & NRBQ
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Listed: Jad Fair
Photo: Brian Birzer
Jad Fair’s music has been described as “art punk,” “primitive rock,” “naive pop,” and “experimental,” though none of those labels quite capture what it is. Never encumbered by the conventions of songwriting or technical virtuosity, or the idea that an instrument should be tuned, the guitarist/singer/visual artist always made the music that felt most natural. It’s not an experiment, he has said. It just is.
In the mid 1970s Fair started Half Japanese with his brother, David. In 1980 they released their famously audacious debut, a triple album called Half Gentlemen/Not Beasts. It was a raw explosion of teenage boy id. The brothers, both on vocals, indulged obsessions (girls, mostly) over discordant guitars and drums that bubbled and burst like boiling water.
Half Japanese has released many records since, in addition to the mountains of music that Fair has put out over the years, solo and in collaboration with Daniel Johnson, Yo La Tengo, Teenage Fanclub and many others. Over the course of 2021 he released two albums a week on Bandcamp, and then started making music with singer/songwriter/multiinstrumentalist Samuel Locke Ward. They just released their second record, Destroy All Monsters about which Dusted’s Margaret Welsh wrote that “In its warmth and sincerity, Destroy All Monsters straddles a strange line: It impersonates flimsy holiday novelty but resonates on a deeper level. Here are some of Fair’s favorite records.