#nymoma

[louisebrookssociety]

Louise Brooks images on display at the Museum of Modern Art in NYC https://louisebrookssociety.blogspot.com/2026/01/louise-brooks-images-on-display-at.html

[pinkpinkfruit]

Whoa it’s been so long since I’ve been on tumblr.

This is strange.

[shiloratner]

Dropped by the gallery to take in all the artwork in the Parallel Visions exhibit juried by #nymoma Curator Jenny Harris at the Flinn Gallery. Posing with my painting No. 214. #art #painting #abstractlandscape #abstractpainting #abstract #artselfie #greenwich #greenwichct #fairfield #fairfieldcounty (at Flinn Gallery)

[green41studio-blog]

NYMOMA, NYC, October 2017.  ©Rui Ren

[green41studio-blog]

NYMOMA, NYC, October 2017.  ©Rui Ren

[bchukerman]

View this post on Instagram

Mark Kostabi In Person at the gallery Thurs & Fri Oct 19 & 20. 6-8pm This is an amazing show. Join us if you can... to meet @mark_kostabi @martinlawrencegalleriessf . . . . . . . . . . . . . . #mark_kostabi #martinlawrencegallerysf #kostabi #nymoma #fineart #veryfineart #buyitnow #buyitnowbeforesomeoneelsedoes #BuyItNowFromBARRYCHUKERMAN Email link in bio to RSVP

[matthewfelixsun]

Boy Leading a Horse, 1905-06, Pablo Picasso, NY MOMA _7443 (m) by Matthew Felix Sun Via Flickr: My Favorite Paintings at New York Museum of Modern Art (MOMA) Less tense, yet no less disquieting, an early Picasso, Boy Leading a Horse (1905-06) from his Rose Period, also registered with me highly. Without any covering and protection, a slender youth and a lean and graceful horse, both economically outlined and modeled, wandered in an abstract landscape — a pale pink expanse of a barren field under a grave and leaden sky. The high horizon enabled the pink boy fully merged with the pink field thus a harmony, and that also contributed to make the atmosphere less menacing; rather, a prevalent melancholy and a tinge of sadness permeated the canvas. The subtle and subdued beauty, the quietly riveting drama generated by the contrasting colors and moods, made one's heart ache.

[matthewfelixsun]

Departure, 1933-35, Max Beckmann, NY MOMA _7495 by Matthew Felix Sun Via Flickr: My Favorite Paintings at New York Museum of Modern Art (MOMA) One of my favorite museums is the New York Museum of Modern Art (MOMA), of whose early 20th century European painting collections I am particularly partial.

My most favorite was a triptych by the German painter Max Beckmann, the mystical and political Departure (1933-35). These beautifully rendered hallucinatory, menacing, foreboding, and just slightly hopeful and redemptive panels, aptly and sadly captured one of the most horrifying moments of human history. These paintings were the answers to the art's existential question.