No gaze, all gauze
Jose in costume as Quinn
Diefenbunker, Ottawa, Canada
seen from United States
seen from United States

seen from United States
seen from China
seen from United States
seen from United States
seen from China
seen from United States
seen from United States

seen from Australia

seen from South Africa
seen from United States
seen from China
seen from United Kingdom
seen from Japan
seen from Austria
seen from United States

seen from Japan
seen from United States
seen from China
No gaze, all gauze
Jose in costume as Quinn
Diefenbunker, Ottawa, Canada
From renowned DISTRICT 9 director NEILL BLOMKAMP and his new brain child OAT STUDIOS comes ZYGOTE - a genuinely terrifying, hair-raising sci-fi horror.
Barklay is a grizzly security agent, and Quinn is a low-level functionary synthetic. They are the sole survivors of a devastating accident on an isolated arctic mining colony, and they’re being relentlessly hunted down by a Frankensteinesque abomination who’s murdered the rest of the colony’s crew.
Sound a bit familiar? It should. ZYGOTE echos with the harrowing footsteps of RIDLEY SCOTT’S 1979 sci-fi suspense horror epic ALIEN.
Many films have attempted to captive audiences in the same way as Alien did but ZYGOTE is a little bit special. The creature’s haunting appearance and bone-chilling shrieks are genuinely fear-inducing and the spartan, minimalist corridors of the trashed mining colony give the setting a cold and inhospitable feel. Coupled with a soundscape of irritating sirens and alarms, it all comes together beautifully to instil in the audience a chilling, unnerving sense of impending doom.
But, as good and enjoyable as ZYGOTE is, it’s falls a little short of it’s potential. I feel like the film should have teased the audience more - we should have been given a single, distant, blood-curdling howl. A furtive glimpse of a horrifying silhouette. A bloody, disfigured limb sliding across a window.... And then BOOM, JUMP-SCARE, as the abomination is revealed in all it’s petrifying glory for a final show-down with it’s prey.
Instead, the abomination is a whiny, shouty, marauder. It doesn’t come across as particularly cunning intelligent or stealthy. Perhaps that’s the point - it’s strong and bold enough, that it doesn’t need to hide.
But for me, it’s more terrifying to be stalked from the shadows by a mysterious, silent, unseen killer, than it is to be chased by a marauding beast.
Fear comes from the unknown.
Vistos. Cara, curtas metragem de terror e ficção científica matadores deste estúdio. Quem curte estes temas TEM que ver os curtas deles. Muito bom mesmo. Recomendo especialmente Firebase, Rakka e Zygote. Este última por sinal tem um dos melhores e com certeza mais bizarro e grotesco monstro que vocês vão ver! Heeh Procurem no youtube que vale a pena. #oatstudios