5 headcanons about wlw sarah
1. The first time she kisses a girl is when there’s already a guy with his lips (and tongue) at her throat. The girl’s lips are soft and taste like something sweet. Sarah presses against the girl, letting the guy crush her between them. For what started out as a simple score (a couple in an open relationship looking for a third for the weekend), Sarah realizes that she’s going to have much more fun than expected.
2. The women are ever so slightly harder to leave when morning comes (though of course it isn’t morning, really, when even the sun still has at least another hour to sleep). The warmth, the smell of strawberry or lavender or mango or coconut shampoo still lingering in her nose, the soft smoothness of skin that’s been well taken care of still making her fingertips tingle. But it’s part of the job, the score. She can feel guilty later - maybe.
3. There’s one she almost can’t bring herself to leave. Rich, certainly, but quick and clever and, above all, beautiful. Sunlight bends out of its way to glitter on her hair. Sarah stays so much longer than she should, knowing that with every passing hour, this woman tightens her hold. And yet Sarah wants, so badly, to be held.
4. Sarah burns every possible bridge with stolen money, a missing car, liquidated assets. It’s easier than saying goodbye. But she always gives her mark one last caress before vanishing into a tarnished memory.
5. Men are so much simpler, so much easier to leave behind, to tease and torment and torch. So she eases off the women - not because they’re soft, but because she is. And genuine attraction is so much harder to hide (and later bury).
Send me an “AU” and I’ll give you 5 headcanons!









