Feb 4, 2018
Rachel Whiteread, untitled (one hundred spaces), 1995, Tate Britain
I absolutely love these little sculptures! They look like Turkish delight or jellies. Every time I walk past these I wish I could feel their smooth surface. Depending on the time of day or weather conditions, the light can filter though the Tate’s glass ceiling, casting light into the semi transparent chair moulds creating the appearance of water or some other liquid.