Nov 19, 2021
Untitled by Therese
A gentle moment shared.
seen from Hungary
seen from Germany
seen from United States
seen from China
seen from China
seen from United States
seen from United States
seen from Japan
seen from China
seen from Brunei
seen from Malaysia
seen from China
seen from United States
seen from Singapore
seen from T1
seen from China
seen from T1
seen from United States
seen from Malaysia
seen from Malaysia
Untitled by Therese
A gentle moment shared.
Untitled by Therese
Sharing holiday visions by one of our tribe
Bill Brookover, printmaker
Congratulations to @bill.brookover #oneofourtribe
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I love it when my work goes to a new home! GRAND COLLISION, polymer plate intaglio, 2022, won the Runner Up - Printmaking award at Ellarslie Open 39, and is going home with Sarah Unger of the Trenton Museum Society! Thanks Sarah!
So happy to be part of this show. burst from the maze and somethins happenin both 4x6. I keep rereading this and it keeps resonating:
“The theme for this exhibition was accumulated during episode 28 of the A/M Podcast, a conversation between host, Kaylan Buteyn, and artist Allison Reimus. In the episode, Allison recalls the time she read a statement in a New York Times article about how “You can’t paint at night in your kitchen and hope to be a good artist. It doesn’t work that way.”
In true Artist/Mother fashion, this seemed like a great statement
to respond to for a group show, as an act of resistance and
rejection. To imply that good art cannot be made in domestic
spaces, or that a person cannot claim the title of artist without meeting
arbitrary requirements is a patriarchal myth, one that artists who are mothers
have been resisting for decades.”
myths of separation
303.365.2021
Sarah Bloom
Damini Celebre by heavybubble portfolio websites for artists