#open hub

[inthe-forest-ofthe-lotus]

Reminder!!

The Open Kitchen is tonight!! 

Hosted by Suiren Temple on Mateus Details here: https://suiren-temple.tumblr.com/tagged/Crystal-Events

[kosukeanamizu]

NTT Communications - OPEN HUB/for Smart world 

NTTコミュニケーションズ株式会社の事業共創プログラム「OPEN HUB for Smart World」のワークプレイス「OPEN HUB Park」エントランスの PowerPoint プレゼンテーション OPEN HUB MonolithsのためのSound designに携わりました。

Production: LIL https://www.lil.vision/ncom Animation Director：Daisuke Hashimoto CG Producer：Ryota Izutsu / Kohei Miki Motiongraphic Designer：Kojiro Kimura Planning / Production｜Whatever https://whatever.co/ja/ Executive Creative Director：Masashi Kawamura Creative Director：Kyosuke Taniguchi Executive Producer：Yusuke Tominaga Producer：Makoto Fukuchi / Atsuko Okada Technical Director：Yuma Murakami / Ryusuke Izumida / Kazunari Takashima Strategy｜KESIKI

[phonopolis]

IT LOOKED LIKE A MOON LANDSCAPE

SOUND INSTALLATION [2016]

IT LOOKED LIKE A MOON LANDSCAPE loop duration: 00:06:17 material: active loudspeakers, subwoofer, table, room with reverb

EXHIBITED : [21.05-18.06.2016] OpenHub | Netwerk - center for contemporary art | Aalst - BE

IT LOOKED LIKE A MOON LANDSCAPE is a sound work released during OpenHUB residency. The trajectory of the residency was based on the artistic practices of Aalst's artist, Claire Stragier, whose long-term research project In de Vaart der Volkeren is closely linked to the theme of rural vs. urban. This long term project consists of performances and interventions in public spaces, particularly along the railway line between Brussels and Aalst. These projects served as a starting point for a further development during the residency-in-group OpenHUB.

As one of the three selected artists Valeria Merlini developed the sound installation "It looked like a moon landscape". The title is a quote to Claire Stragier's description of a performance she did with Annelien Vermeir along the railway line that connects the cities of Brussels and Ghent. Overturning their concept, "It looked like a moon landscape" changed their perspective: the railroad's landscape is not the stage for interventions addressed to the travelers anymore, but trains passing by became the stage and travelers became the actors. The perfect place to observe trains, to listen to and to record environmental sounds was the roof of Netwerk, which faces the rail road. Microphones were located where imaginary seats for audiences could have been positioned, oriented to the railway line. The soundwork is a field recordings composition adapted to the acoustic qualities of the very much reverberating room chosen for the installation. The long rectangular shape of the conctrete room recalls in its geometries a line of wagons and is oriented towards the railway line, as well.