what you see is what you get
photography + © Christof Keßemeier
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what you see is what you get
photography + © Christof Keßemeier
(via https://www.youtube.com/watch?v=dllGg6H3dek)
Kauai was sick... More photos coming!
How bottle I fragrance upspin my outside space.
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There are manufactures that produce patterns from the most popular designers of the defective year. Round, oval, runners or rectangles they all come in so many colors and patterns that it may be met with conflicting to choose which one you like best. <\p>
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Plant 2 Trees Project Overview and Resources NSTA Oct.2015
Plant 2 Trees Project Overview and Resources NSTA Oct.2015
Day 1: Why Write Grants? Info/Inspiration Grant proposals introduced with “Kickstarter” video clips – how to make your own dream job! What are the Benefits of Trees? We used desk top whiteboards for students to brainstorm on. We used that to generate categories of pros and cons of trees. Benefits to wild life Benefits to Climate Benefits to soil Psychological benefits Products for people inc.…
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How can I five spice powder up my outside double space.
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Jenny Holzer's 1994 series LUSTMORD is a politically bold statement against murder and rape inspired by the war in Bosnia that's display combines technology and the body. The title comes from the German word lusmord, which stands for sexual murder involving rape. LUSTMORD opened at the Barbara Gladstone Gallery in New York and consisted of a series of displayed bones, LED screens/signs and photographs of bodies inked with the words depicting the experiences of sexual murder, violence and rape through poem. The bones displayed were those of both men and women, and the bones were, for example, fingers and collarbones that often attributed to being sensual parts of the body. The bones were inscribed with words from Holzer's poem. The signs of the installation contain a poem that depicts an exchange between a perpetrator, a victim and an observer. The piece also involved photographs of excerpts of the poem written in ink upon human flesh. LUSTMORD is a reaction to the use of rape and sexual violence as a military tactic, and is meant to shed light on the way these dark and horrific experiences have been normalized in western society and dismissed as mere tactics or their darkness and severity are simply ignored. The work is presented in a space resembling a dark tomb, with the only light coming from the screen and projected upon the bones and the photographs. The poem scrolls in bold neon letters across the scenes continually. The full text is never shown all at once, illustrating the multiple voices and viewpoints. Viewers were allowed to touch and stroke the bones. LUSTMORD beautifully, darkly and hauntingly depicts the disturbing realities of war and sexual violence.
PERPETRATOR:
I SWIM IN HER AS SHE QUITES. I SINK ON HER. I SING HER A SONG ABOUT US. I STEP ON HER HANDS. I SPLAY HER FINGERS. SHE ROOTS WITH HER BLUNT FACE. SHE HUNTS ME WITH HER MOUTH. SHE HAS THREE COLORS IN HER EYES. I BITE HER CLOSED AGAIN. I AM NEAR HER MILK. I TELL HER TO SOAP HERSELF. SHE TIGHTENS AND I HIT HER. I WASH HER OUT. I WATCH HER WHILE SHE THINKS ABOUT ME. HER SALIVA RUNS WHEN SHE SLEEPS. I HOOK HER SPINE. SHE HAS A URINE SMELL. HER SWALLOW REFLEX IS GONE. HER HEAD EXPLODES IN THE FIRE. HER BREASTS ARE ALL NIPPLE. SHE ACTS LIKE AN ANIMAL LEFT FOR COOKING. I FIND HER SQUATTING ON HER HEELS AND THIS OPENS HER SO I CAN GET HER FROM BELOW. I TAKE HER FACE WITH ITS FINE HAIRS. I POSITION HER MOUTH. I WANT TO FUCK HER WHERE SHE HAS TOO MUCH HAIR. I HOOK MY CHIN OVER HER SHOULDER. NOW THAT SHE CAN STILL CONCENTRATE. SHE HAS NO TASTE LEFT TO HER AND THIS MAKES IT EASIER FOR ME. THE COLOR OF HER WHERE SHE IS INSIDE IS ENOUGH TO MAKE ME KILL HER.
VICTIM:
I AM AWAKE IN A PLACE WHERE WOMEN DIE. THE BIRD TURNS ITS HEAD AND LOOKS AT ME WITH ONE EYE AS YOU ENTER. MY BREASTS ARE SO SWOLLEN THAT I BITE THEM. YOUR AWFUL LANGUAGE IS IN THE AIR BY MY HEAD. I DO NOT LIKE TO WALK BECAUSE I FEEL IT BETWEEN MY LEGS. HAIR IS STUCK INSIDE ME. MY NOSE BROKE IN THE GRASS. MY EYES ARE SORE MOVING AGAINST YOUR PALM. I HAVE THE BLOOD JELLY. WITH YOU INSDE ME COMES THE KNOWLEDGE OF MY DEATH. YOU HAVE SKIN IN YOUR MOUTH. YOU LICK ME STUPIDLY.YOU CONFUSE ME WITH SOMETHING THAY IS IN YOU. I WILL NOT PREDICT HOW YOU WANT TO USE ME.I FEEL WHO YOU ARE AND IT DOES ME NO GOOD AT ALL.I TRY TO EXCITE MYSELF SO I STAY CRAZY. WHAT IS LEFT ON THE BLANKET IS CLEAR AND THE COLOR OF HELL.
OBSERVER:
I WANT TO LIE DOWN BESIDE HER. I HAVE NOT SINCE I WAS A CHILD. I WILL BE COVERED BY WHAT HAS COME FROM HER. SHE BEINGS TO MAKE MISTAKES IN HER LANGUAGE AND I CORRECT HER THE WAY SHE HAS TAUGHT ME. I FIND HER TOWERLS SHOVED IN TIGHT SPOTS. I TAKE THEM TO BURN ALTHOUGH I FEAR TOUCHING THINGS. SHE ASKS ME TO SLEEP IN THE HOUSE BUT I WILL NOT WITH HER NEW BODY AND ITS NOISES AND WETNESS. SHE SMILES AT ME BECAUSE SHE IMAGINES I CAN HELP HER. SHE COUGHS THE MOUTH STRINGS. I WANT TO BRUSH HER HAIR BUT THE SMELL OF HER MAKES ME CROSS THE ROOM. I HELD MY BREATH AS LONG AS I COULD. I KNOW I DISAPPOINT HER. SHE STARTED RUNNING WHEN EVERYTHING BEGAN POURING FROM HER BECAUSE SHE DID NOT WANT TO BE SEEN. SHE FELL ON THE FLOOR IN MY ROOM. SHE TRIED TO BE CLEAN BUT SHE WAS NOT. I SEE HER TRAIL. HER GORE IS IN THE BALL OF CLEANING RAGS. I CARRY OUT THE DAMPNESS FROM MY MOTHER. I RETURN TO HIDE HER JEWELRY THE BLACK SPECKS INSIDE MY EYES FLOAT ON HER BODY. I WATCH THEM WHILE I THINK ABOUT HER. I WANT TO SUCK ON HER TO MAKE HER RESPOND. I WALK OUTSIDE TO THE PATH AND SEE THE PLANTS, EACH HANDLED BY HER, UNMARKED BY HER DYING. SHE IS NARROW AND FLAT IN THE BLUE SACK AND I STAND WHEN THEY LIFT HER.
Eve Ensler and the Vagina Monologues
In 1996, artist, performer, author and activist Eve Ensler's The Vagina Monologues was first performed. Conceived as a play to raise awareness to women's issues such as sex, anatomy, violence, abuse and various other experiences of women, Ensler's play has served as a project focused on female empowerment and anti-violence since its debut. Perhaps the most well-known feminist participatory, collaborative and public art project in history, The Vagina Monologues are a series of monologues based off of the experiences of women and trans*women around the world, inspired by stories and information Ensler gathered from interviews and conversations with those groups. While Ensler's work was originally performed at the HERE Arts Center and later the Off Broadway Westside Theatre primarily by Ensler herself, The Vagina Monologues are now performed annually at colleges, universities and community theaters around the world. The Monologues are performed at as many as 140 countries in 48 languages and serve to unite female performers of various ethnicities and backgrounds as well as their male and female audiences in a "celebration of vaginas", and in an empowerment of women with a hope to raise awareness and end sexual assault and violence.
Along with the Monologues themselves, Ensler began the V-Day Movement, which are benefit performances of the Monologues that occur on Valentine's Day each year and support victims of abuse and violence by contributing proceeds to rape crisis centers and other shelters and organizations that help women.
In 2004, Ensler included a new transgender-focused monologue, a result of the experiences of the first all-trans* cast that performed in LA that same year. Over the years Ensler has added to and altered the Monologues and the experience has changed and grown.
Through comedy and sadness, The Vagina Monologues are a very touching and participatory experience which cause the performers not only to examine their own experiences and beliefs, but challenge the audience to share in these experiences and have more awareness and empathy for others. You do not need to consider yourself a performer in order to be involved in this project, you don't even necessarily have to identify as a feminist. The Vagina Monologues are a project aimed at being open and sharing experiences in order to celebrate and remember the beautiful, strong and funny woman-identified people in our lives. If you have not seen them, I highly suggest you do! The Vagina Monologues are an almost indescribable experience of love and diversity.
Despite the great courage and impact of Ensler's work, there are some problematic aspects to the work. Despite, the inclusion of the transgender monologue, many of the productions can be transphobic and exclusive, and some feminists have also critiqued the play as equating men with 'the enemy' and having a restrictive view of sexuality as well as at times giving inaccurate information regarding female anatomy.
However, just because a work may be criticized or flawed does not diminish the great impact of the work. Eve Ensler's The Vagina Monologues still serve as a greatly participatory and educational feminist art work that continues to be performed and have an impact today in revealing the unique experiences of women. The play serves as a great tool for anti-violence awareness and support as well as being greatly educational in its own engaging and unique way.