#pinkunoizu

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Great Pacific Garbage Patch by Pinkunoizu

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Pinkunoizu - The Great Pacific Garbage Patch - The Reverb Conspiracy Vol II

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1188. Pinkunoizu - The Drop (Full Time Hobby - 2013)

Psyché rock danois moderne de solide facture.

Necromancer

Spotify

Discogs

[ratherlate]

Rather Late - November 2015 Playlist 1. Roedelius - Wenn der Sudwind weht 2. Rites Wild - Deep Ocean Sands 3. Julia Holter - In the Same Room 4. Pure X - Voices 5. Pinkunoizu - Down in the Liverpool Stream 6. Jose Gonzalez - Fold 7. James Blake & Bon Iver - Fall Creek Boys Choir 8. Low - Sunflowers 9. Papercuts - The Messenger 10. Luna - Bewitched

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"I Chi" Pinkunoizu

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[rhythmbooze]

Pinkunoizu-Free Time!

Just what is it that they put in the water over in Scandanavia, really there must be something, in recent times we seem to be innudated with incredible Nordic related TV (Borgen,The Killing etc) and music (Simian Ghost, check them out on this very site and countless others) and now here come's the debut album by Copenhagen based collective Pinkunoizu (Japanese for pink noise), a four-piece who originally served their time in acclaimed Danish post-rock band Le Fiasko before leaving to create a completely unique, hazy album that incorpates lo-fi indie, future rock, nu folk and 60's Asian pop. Trying to describe the music that Pinkunoizu make, is next to impossible, the sound like no one else and yet they manage to create bewitching hazy grooves complete with waves of lo-fi guitar, infectious off-kilter keyboards, wonky repetitive mantra like rhythms, laidback hushed vocals and pools of feedback, oddly you can also detect a surf influence on one track and spacey pop on another. Lyrics and subject matter don't help the listener to decipher the wierd and wonderful world of Pinkuoizu either, with songs ranging from such deep topics as "the incomprehensible mysteries of being" to cyborgs and feminism. If all that wasn't an already heady mix the band also throw in sounds recorded in and around the home and use them to further pepper their already intoxicating mix, oh and if you're not confused enough already, tracks often blend into one another creating a confusing yet compelling listen. Now you maybe reading all this and thinking that Free Time sounds like a complex album to get your head around, only it's not in fact it's an album to immerse yourself in, an album to sit back and allow to wash over you, an album to sweep you up and take you on a wonderful flight of discovery. I'm not going to trying and pinpoint highlights, only I will say that Parabolic Delusions is a brilliant psych pop masterpiece with a kind of Flaming Lips feel (only with horns) to it and Death Is Not A Lover is a crazed combination of handclaps, over driven and shimmering guitars, weird percussion and god only knows what else creating the most bewildering yet infectious take on indie pop ever known. If you want something completely different, if you want an album that will equally inspire, compel, confuse and reward, if you want a band that sound like no one else, who create the most infectious grooves known to man I suggest you checkout the stunning sounds of Pinkunoizu and their brilliantly bonkers debut Free Time! Rhythm & Booze Rating 10 www.pinkunoizu.com

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Pinkunoizu New Video And Album

Pinkunoizu

Free Time!

Album released 26th March 2012 on Full Time Hobby

  Following the brilliant PEEP EP, the spectral Pinkunoizu are set to release their debut album, Free Time!, on Full Time Hobby. Named after the Japanese word for “pink noise” and based in Copenhagen and Berlin, multiculturalism is at the forefront of this band’s world – they play an exotic mixture of lo-fi, high-life, nu-folklore, ’60s Asian pop and post-apocalyptic future rock. “Most of what I write comes from picking up exciting words or phrases from wherever I stumble upon them,” says chief songwriter Andreas Pallisgaard. “Or maybe it simply comes from floating around like some empty receptor, open to letting the language of the world flow through me.”   Self-recorded in the rehearsal rooms in the German and Danish capitals, Pinkunoizu’s debut album is a meditation on the concept of time filled with hazy pools of feedback and repetitive beats. “We were trying to look into alternative experiences of time as something elastic, expandable, modal,” says Andreas. “Aspects of remembrance are of course connected to this theme, and runs like a disturbed signal through most of the record as well.” It’s been a constant theme in the band’s work since the first song they penned together, Time Is Like A Melody, which opens the album. “It connects the listener to one of the most incomprehensible mysteries of being,” says Andreas. Elsewhere, songs deal with subjects ranging from the Arab spring to cyborgs and feminism – the country twang of Cyborg Manifesto.   An unpredictable, involved but nonetheless ear-friendly listen that establishes deep, immersive grooves, Free Time! represents the far-ranging recording processes of this unusual band. “I like the idea of taking little snatches from the world that surrounds us and putting those into the music,” says Andreas. “We've recorded random sounds from around our homes and used them as textures.”   Comprising Jaleh Negari (drums), Jeppe Brix (guitars) Andreas Pallisgaard (guitars, vox) and Jakob Falgren (guitars, keys, foot pedal bass), the four members of Pinkunoizu formerly played together in the acclaimed Danish post-rock group Le Fiasko. With eight people in that band, improvisation was difficult. In Pinkunoizu, the foursome form a flexible core. “Starting Pinkunoizu was a great relief for us, since we could feel that we were nurturing a space where we could play music for real and have a great say – all four of us,” says Andreas. It allows room for guests, such as Nils Gröndahl, who plays violin and bowed saw, and reflects the prevailing scene in Copenhagen. “Copenhagen people tend to play music with each other in temporary constellations, and some of that old-fashioned band structure has withered away a bit,” says Andreas.   Outside of the band, Andreas and Jaleh are preparing to do a soundtrack for a documentary on the Danish artist Das Beckwerk. Aside from that, “Some are working, some study, some have studied, some have worked, some are looking for work to do to earn money. Some like to play ping pong.”