Discover Top Posts Tagged with #post mankind

Illustration by Greg Ruth

THE LAST OF US 2

#the last of us 2 #the last of us #bella ramsey #pedro pascal #gustavo santaolalla #art #illustration #GREG RUTH #Neil Druckmann #craig mazin #post mankind #post apocalypse #hbo #serie #naughty dog

THE LAST OF US

The amazing Greg Ruth

#art #the last of us #greg ruth #pedro pascal #illustration #gustavo santaolalla #post mankind #serie #hbo #naughty dog #post apocalypse #craig mazin #Neil Druckmann

Illustration by Greg Things

THE LAST OF US 2

Illustration by Greg Ruth

#the last of us 2 #pedro pascal #the last of us #The Last of Us Part II #gustavo santaolalla #bella ramsey #art #illustration #greg things #GREG RUTH #Neil Druckmann #craig mazin #post mankind #post apocalypse #hbo #serie #naughty dog

Ucieczka na srebrny glob [ESCAPE TO THE SILVER GLOBE] Kuba Mikurda, 2021

DOC

#escape to the silver globe #documentary #scifi #polish film #cult #cinema #movies #film #great directors #andrzej zulawski #kuba mikurda #on the silver globe #Ucieczka na srebrny glob #Na srebrnym globie #post mankind #science fiction #on set #backstage photos

Tras el cristal 1986, Agustí Villaronga

[...] The story suggests the “changing of the guard” where the student takes over from the master. In this respect the film is reminiscent of the Stephen King novella “Apt Pupil,” adapted to the screen in 1998 by Bryan Singer, in which an adolescent discovers that an old man living in his neighborhood is a Nazi war criminal, and, rather than expose him, blackmails him into recounting his Nazi crimes in all their vivid detail.

[...] A second possible reading elaborates on the first by adding a reflexive element centered on the act of watching. In such films the act of murder is in one or several ways aligned with the pleasure of watching, scopophilia (pleasure in the act of voyeurism), and is directly inscribed in the text. [...] The third possible source of meaning in the film is figurative rather than literal, and involves placing it within the context of Spain’s social-cultural-political history. [...] During the Francoist era, the depiction of violence was repressed, as was the depiction of sex, sacrilege, and politics; this repression helps explain why eroticized violence could be used so effectively by the anti-Francoist opposition to speak a political discourse, that is, to expose the legacy of brutality and torture that lay hidden behind the surface beauty of the Fascist and neo-Catholic aesthetics. (Kinder, p. 138). [...] full